To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

15 Scores From Composers Not by Hans Zimmer

November 25, 2014, 03:57 PM

http://www.thefilmgrapevine.com/listen-to-this-15-...

Hans Zimmer‘s latest handiwork, the score for Christopher Nolan‘s “Interstellar,” was released last Tuesday. It is, in every crevice of the word’s definition, spectacular. And that’s based on a released soundtrack that doesn’t include the film’s most mind-squishing musical moment: the “Docking” song (also known as “The One That MELTED YOUR FACE”). But not to worry; there’s an Intergallactic Illuminated Starship Asteroid Einstein edition (or something) on the way.

Sounds of Iris 2

November 25, 2014, 03:56 PM

https://www.aotg.com/sounds-of-iris-2/

Hear a sampling of sound patches from the Iris 2 Sound Library. With over 350 patches available for immediate use, Iris 2 is ideal for any musician dreaming ...

Create custom click tracks

November 25, 2014, 12:35 PM

https://www.aotg.com/create-custom-click-tracks/

Sometime's something as simple as a "click" track can inspire you in way's y...

Game Audio Hour 042 - The Answer To Everything

November 25, 2014, 07:46 AM

https://www.aotg.com/game-audio-hour-042-the-answer-to-everything/

A weekly podcast where we discuss all things game audio. From creative ideas to the latest techniques, project experiences to audio secrets. Here is where yo...

Dolby Atmos:

November 24, 2014, 07:30 PM

https://www.aotg.com/dolby-atmos/

Moviegoers in the theatre can hear the difference between 5.1 surround sound and Dolby Atmos®. Learn more at http://www.dolby.com.

Composer on the Drums and Jazzy Ambiguity

November 24, 2014, 03:32 PM

http://thefilmstage.com/features/composer-antonio-...

Thanksgiving is just a few days away, but before we dig into the seasonal fowl, let’s digest this year’s other most buzz-worthy winged creature. Alejandro Gonzalez Iñárritu‘s one-of-a-kind film Birdman: Or (The Unexpected Virtue of Ignorance) hit theaters in October and thanks to a healthy expansions, it’s very much still in the conversation. Picking up speed on a weekly basis, i’s a tour de force in acting, direction, and cinematography, all seamed together with one very jazzy sound...

Introduction (Reason 8 Explained)

November 24, 2014, 03:29 PM

https://www.aotg.com/introduction-reason-8-explained/

A brief overview of what we'll learn in this series.

Is the Audio-Technica BP4029 the perfect cinéma-v

November 24, 2014, 12:45 PM

http://kino-eye.com/2014/11/24/audio-technica-bp40...

In an ideal world I’d have a ninja-class boom operator with me on all of my documentary shoots, but short of that I usually place a wireless lavaliere on my subjects in order to capture the best dialogue possible while providing then with mobility along with the intimacy of a small crew.

Avid Everywhere and The FooFighters

November 24, 2014, 12:43 PM

http://www.avid.com/US/press-room/AvidEverywhereBr...

Avid® (OTC: AVID) today announced that the creative teams behind Foo Fighters Sonic Highway embraced Avid Everywhere to create the HBO documentary series commemorating the band’s 20th anniversary. The Avid MediaCentral Platforme powered a fast, efficient and collaborative workflow that gave the teams the creative freedom to infuse each episode with a different style, while managing a vast amount of footage and tight timescales.

SoundWorks Interview Series - James Lebracht

November 24, 2014, 08:39 AM

http://soundworkscollection.com/news/soundworks-co...

In 1996, award-winning sound designer James LeBrecht launched Berkeley Sound Artists, a full-service post-production sound company. Since that time, BSA has established itself as the "go-to" audio house for documentary and independent filmmakers. Gaming companies and corporate video and event producers trust us to take care of their audio. Educators have hired us and our team of media and application producers to create leading edge digital materials for their ever-expanding content needs.

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