It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 5, 2019, 02:07 PM
http://scoringsessions.com/2019/10/11/mychael-dann...
This summer, award-winning composers Mychael Danna and Jeff Danna scored the new animated version of The Addams Family. The score to the new MGM animated film features an orchestra recorded at the Eastwood Scoring Stage, musical saws, unique percussion, accordion and the famous Fox Wurlitzer organ housed at Bandrika Studios. ScoringSessions.com is thrilled to share photos from the various sessions with our readers!
October 30, 2019, 08:44 PM
https://ventsmagazine.com/2019/10/30/interview-pos...
Behind-the-scenes featurettes of popular movies and video games don’t usually spend too much talking about the music. At most, they’ll have a brief interview with the score composer and maybe have a few shots of the studio orchestra at work.
October 26, 2019, 01:02 PM
https://www.blogtalkradio.com/moviegeeksunited/201...
The Movie Geeks speak with acclaimed composer Alan Silvestri (Forrest Gump, Back to the Future) about his ambitious score for Avengers: Endgame and one of his most iconic collaborations with director Robert Zemeckis.
October 26, 2019, 01:01 PM
http://www.postmagazine.com/Post-Blog/2019/October...
I caught up with Alex Tsilfidis, founder and CEO of Accusonus, at the AES show in New York City recently. The company has a background in technology for hearing aids (as well as beat making and drum mixing) and that expertise has allowed Accusonus to develop a series of audio restoration plug-ins the can solve a number of problems video editors often encounter. Photo (L-R): Post's Marc Loftus and Accusonus' Alex Tsilfidis The company currently offers six...
October 24, 2019, 01:01 PM
https://postperspective.com/the-gritty-and-realist...
By Jennifer Walden The grit of Gotham City in Warner Bros.’ Joker is painted on in layers, but not in broad strokes of sound. Distinct details are meticulously placed around the Dolby Atmos surround field, creating a soundtrack that is full but not crowded and muddy —it’s alive and clear. “It’s critical to try to create a real feeling world so Arthur (Joaquin Phoenix) is that much more real, Continue reading → October 23, 2019 The post The gritty and realistic sounds of Joker ...
September 29, 2019, 06:49 PM
https://www.premiumbeat.com/blog/industry-intervie...
Premium Beat sat down with this seasoned pro to explore his process, working relationships, and the challenges involved in sound design.
September 27, 2019, 12:50 PM
https://www.asoundeffect.com/scary-stories-to-tell...
In this just-published episode of Technicolor's brand new POSTCAST, re-recording Mixers Mike Woroniuk and Andrew Tay take you behind the scenes on the making of the spooky sound for the film...
September 25, 2019, 01:38 PM
https://www.premiumbeat.com/blog/sound-designer-ma...
PremiumBeat sat down with this seasoned pro to explore his process, working relationships, and the challenges involved in sound design...
September 18, 2019, 05:57 PM
https://www.asoundeffect.com/dark-crystal-age-of-r...
Take a sound design deep-dive with Tim Nielsen on the lush sound for 'The Dark Crystal: Age of Resistance' here - covering how they brought 100+ creatures to life with sound, the importance of Foley, timing, rhythm, challenges and inventive solutions, and some detailed creature sound design stories:
#sound design#sound effects#film sound#the dark crystalSeptember 11, 2019, 01:38 PM
https://www.pro-tools-expert.com/home-page/2019/09...
The difference between multichannel and multi-mono plug-ins in Pro Tools isn’t very significant if you only work in stereo. However, as soon as you start working with more than 2 channels, you find the number of plug-ins available as multichannel plug-ins starts to tail off rapidly.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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