It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 12, 2014, 04:40 AM
http://masteringfilm.com/dialogue-editing-the-trou...
In theory, a picture file in a computer will flawlessly sync with a DAW session playing from the same computer. Sometimes it does. Other times, picture or sound will be systematically delayed. Or sync may be spot on one time you hit play, and soft the next. Or worst of all, sound and image may...
August 11, 2014, 08:40 PM
http://www.hollywoodreporter.com/behind-screen/dol...
The iconic sound company has been working with partners to develop the consumer electronics and the content to bring Atmos — a theater system that uses "objects" rather than channels to precisely place sound around a room — to home entertainment.
August 11, 2014, 06:41 AM
https://www.aotg.com/the-history-of-sound-at-the-movies/
THIS IS A SNEAK PEAK AT A NEW AUDIO COURSE SERIES!! FilmmakerIQ.com and RØDE Microphones are proud to give you a sneak peak at the first lesson in our six pa...
August 10, 2014, 10:44 AM
http://www.pro-tools-expert.com/home-page/2014/8/1...
In the ‘good old days’ of recording we used to have a room for everything, live room, vocal booth, control room, gear closet and machine room were usually the basics of any recording studio. Then things got smaller and cheaper - including the record company and TV company budgets, so today many of us find ourselves in a single room to do all we used to do in many rooms.
August 10, 2014, 10:43 AM
http://www.askaudiomag.com/articles/music-producti...
When you need to render or mix down your project to a stereo file in your DAW, going from 24-bit to 16-bit, you'll come across dithering options. Matt Vanacoro explains what it is and when to use it.
August 9, 2014, 10:24 AM
http://www.askaudiomag.com/articles/make-your-own-...
There are tons of amazing sound libraries available to cater for most every cinematic sound you could imagine. Here's some tips on how to make your own unique sounds for trailers in particular.
August 5, 2014, 11:12 PM
http://bobbyowsinski.blogspot.com/2014/08/10-steps...
One of the things that mastering pros complain about is that so few mixers actually think about how the things they do while mixing might affect mastering. Mastering is the final creative place in the production process where a mix can be altered, but the mix won't necessarily be improved unless you help the mastering engineer out by following some very simple tips when you're mixing.
August 4, 2014, 05:32 PM
https://www.aotg.com/sundance-institute-music-and-sound-design-labs/
In this exclusive SoundWorks Collection video we talk with Composer Lab fellow KT Tunstall, Director Labs fellow Daniel Kwan, Skywalker Sound's Re-recording mixer and Sound Designer Kent Sparling and Sundance Institute, Director of the Film Music Program, Peter Golub about the two creative organizations effort to support independent filmmakers and sound designers.
August 4, 2014, 05:32 PM
http://soundworkscollection.com/news/soundworks-co...
Idaho based sound recordist Frank Bry has been featuring his sound effects libraries with the online community since 1998 when he launched therecordist.com.
August 4, 2014, 05:31 PM
http://www.engadget.com/2014/08/04/visual-micropho...
You may want to be careful about the conversations you hold in the future; if you're near a window, someone might be listening in. A team of researchers from Adobe, Microsoft and MIT have developed a visual microphone algorithm that picks up audio by looking for microscopic vibrations in video footage.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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