It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 12, 2014, 02:36 PM
http://filmmakermagazine.com/85944-sound-bleed-and...
The onset of summer movie season traditionally regularly journalistic notes on the current state of multiplex moviegoing, with a heavy emphasis on the incivility of unrepentant talkers and wielders of mobile devices. Serious consideration of the changing experiential aspects of normal multiplex visits are few and far-between; though my perspective is skewed by the particulars of mostly attending NYC’s multiplexes, some newish norms seem worth noting.
May 12, 2014, 03:54 AM
http://designingsound.org/2014/05/dsdg-noah-with-c...
We’ll be starting our web chat with Craig and Coll in just a few minutes! Head over to our Google+ page if you want to ask questions when we get to the Q&A.
May 11, 2014, 02:06 PM
https://www.aotg.com/uad-neve-1073-review/
Russ takes a look at the Universal Audio UAD Neve 1073 plug-in, which features as part of the Neve 1073 Preamp & EQ Collection. He shows how it works, explai...
May 11, 2014, 07:00 AM
http://provideocoalition.com/atepper/story/cure-au...
If you have ever been disappointed when your audio quality drops exponentially as you add more microphones with a talk show, interview or reality, due to a phenomenon called spill, bleed or “crosstalk”, and you can’t afford the time to mulitrack and fix it in post, you’ll be happy to know that there is a hardware device to solve it in real time, either live, “live on tape” or —more commonly nowadays— "live to flash memory”. Enter the AT-MX351a automatic mixer from Audio Te...
May 9, 2014, 09:45 AM
http://designingsound.org/2014/05/reflections-in-y...
The reflections in your control room represents the sound of your room. What sound do you ideally want from your control room? Do you want all the direct sound or straight line sound from your speakers? Do you want to include the sound of the reflections from the room in your mix? If so, how much of the room sound do you want?
May 9, 2014, 04:43 AM
https://www.aotg.com/game-of-thrones-theme-song-on-wine-glasses/
CLICK HERE TO KNOW WHEN I POST MY NEXT VIDEO: http://bit.ly/dannewbie then follow me on Instagram for an exclusive look behind the scene. EMAIL: dannewbie@gm...
May 8, 2014, 04:43 PM
http://designingsound.org/2014/05/sfx-independence...
It’s been a little while since the last SFX Independence. This month’s round-up runs the gamut of sounds, from guns and rockets, to birds and screams. Plus, there are some get-them-while-you-can offers still on. First up…
May 7, 2014, 04:31 PM
http://postperspective.com/creative-sound-boost-au...
Paris-based Creative Sound, a full-service post house serving the film and TV production markets, has added three Solid State Logic C300 HD Master Studio Systems and one C10 HD to its audio post offerings. The studio has an extensive history of creating French language versions of international films, including such recent projects as The King’s […]The post Creative Sound boosts audio post services with new gear appeared first on postPerspective - Randi Altman's postPerspective.
May 7, 2014, 04:30 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Erik Aadahl and Ethan Van der Ryn, the E2 (www.e2sound.com) sound design team that contributed to the new Godzilla film, used Sanken’s CO-100K microphone to help create the roar of the legendary monster, as well as for an array of sci-fi sounds.
May 7, 2014, 04:29 PM
https://www.aotg.com/breaking-bad-blacklist-composer-dave-porter/
He started his career at Philip Glass' studio, grew into being a composer, came to LA and became well known doing music for ads, then hit it big with his fir...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.