To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Sound Of Blubber

June 1, 2019, 10:14 AM

https://randythomblog.wordpress.com/2019/06/01/the...

Creating the sound of flab in motion is a challenge we in sound design encounter fairly often, most frequently in animation. We see an obese character move.

A new VFX featurette on Jordan Peele's Us

June 1, 2019, 10:14 AM

https://beforesandafters.com/2019/06/01/a-new-vfx-...

A short visual effects featurette has been released in conjunction with the impending arrival of Jordan Peele’s Us on DVD and Blu-ray, in which ILM VFX supe Grady Cofer discusses how the ‘twinning’ shots in the film were done (with stunt doubles, splitscreens, head replacements and face replacements). It looks to be part of a larger featurette called ‘Tethered Together: Making Us Twice’. Check out the short clip below.

Chernobyl

May 30, 2019, 06:05 AM

https://randythomblog.wordpress.com/2019/05/30/che...

Great praise to the makers of the television series Chernobyl for incorporating sound so strongly and subtly into your story...

Sound Devices Event

May 24, 2019, 05:54 AM

https://soundandpicture.com/2019/05/sound-devices-...

Join Sound Devices as they present the new Scorpio premium portable mixer-recorder! You will be taken through the layout, key features and workflow as Sound Devices showcases the most powerful product they have ever designed.

The Revenant‘s Martín Hernández Becomes Creati

May 22, 2019, 04:55 AM

https://www.studiodaily.com/2019/05/revenants-mart...

Mexico City’s Cinematic Media is entering audio post in a big way with the construction of six identical sound editorial and mixing stages outfitted with Avid Pro Tools systems and Dolby Atmos certification. The work is being overseen by supervising sound editor Martín Hernández, a two-time Oscar nominee for his work on The Revenant and Birdman or (The Unexpected […] The post The Revenant‘s Martín Hernández Becomes Creative Sound Director at Cinematic Media appeared first on S...

Sound Lounge Promotes Becca Falborn to Executive P

May 21, 2019, 10:31 AM

https://www.broadcastbeat.com/sound-lounge-promote...

NEW YORK— Sound Lounge, New York’s leading independent provider of sound services for advertising, television and feature films, has promoted Becca Falborn to Executive Producer. In her new role, Falborn will manage the studio’s busy advertising division and supervise its team of producers. She will also lead client relations and sales. Additionally, she will manage ...

Supervising sound editor Martín Hernández joins

May 16, 2019, 05:39 PM

http://www.postmagazine.com/Press-Center/Daily-New...

MEXICO CITY — Cinematic Media (www.cinematicmedia-mx.com), one of Mexico City’s largest, full-service post production facilities focused on television and cinema content, is teaming up with two-time Academy Award-nominated supervising sound editor Martín Hernández to bring Hollywood-caliber sound services to region. Hernández, sound supervisor for such films as The Revenant,  Birdman and  Pan’s Labyrinth, is overseeing construction of a new sound division at Cinematic Media...

The incredible sound of ‘Avengers: Endgame’:

May 8, 2019, 06:12 AM

https://www.asoundeffect.com/avengers-endgame-soun...

Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound - including the audio team's tactics for creating sounds that match the scale of what’s on-screen, how they kept the epic battles from becoming a chaotic mess, working with (and recreating) unique superhero signature sounds & much more:

#sound design#marvel#film sound#avengers endgame
The Universal Language of Music

May 3, 2019, 12:09 PM

https://www.premiumbeat.com/blog/industry-insights...

Composer Jacob Yoffee grew up traveling the globe, but it’s the universal language of music that keeps him grounded and connected.

Coppola's "The Conversation" is a masterclass in s

May 2, 2019, 06:58 AM

https://www.redsharknews.com/production/item/6331-...

The Conversation (1974) belongs to the 1970s genre of conspiracy films, typified by Alan J Pakula's Klute (1971) and All the President's Men (1976). It is also part of a smaller category together with Blow Out (1981), The Lives of Others (2006) and Berberian Sound Studio (2012), in which sound plays a major role in driving the plot as well as its usual role of creating atmosphere and drama. Kevin Hilton delves into a murky world in which what you hear is not always clear.

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