To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Designing the Sound of Nothing... In A Quiet Place

February 6, 2019, 08:09 AM

https://www.aotg.com/designing-the-sound-of-nothing-in-a-quiet-place/

Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadahl worked with Foley One in Toronto to create the unique sound design for A Quiet Place, including creating a soundless feel. Learn how they did it!

Changing the Audio Editing Game

February 6, 2019, 07:32 AM

https://www.premiumbeat.com/blog/premiumbeat-intro...

Looking for some more creativity when working with audio tracks in your edit? With track stems, you can create a whole new sound for your project.

How to Succeed in Sound Design for Film

January 31, 2019, 10:55 AM

https://www.asoundeffect.com/film-documentary-trai...

If you want to make it in sound, diversifying your revenue stream helps insulate you from the ups and downs of the audio industry - and in effect, it allows you to keep doing what you love (and make a living from it), year after year.

The Supervising Sound Editor Saving Movies

January 30, 2019, 10:23 AM

https://www.premiumbeat.com/blog/interview-supervi...

We recently spoke with one of the busiest supervising sound engineers in the business about what it takes to build a world using sound.

Tascam DR-X Series of Audio Recorders Launched

January 29, 2019, 10:07 AM

https://www.cinema5d.com/tascam-dr-x-series-of-aud...

Tascam introduced three recorders in the new DR-X line: the Tascam DR-05X, the Tascam DR-07X, and the Tascam DR-40X.

Designing Aquaman’s dramatic deep-sea sound:

January 28, 2019, 06:59 AM

https://www.asoundeffect.com/aquaman-sound/

In this in-depth A Sound Effect interview, supervising sound editors Peter Brown and Joe Dzuban take you behind the scenes on their sound work for the film - covering everything from creatively crafting powerful water sounds, creating Trident hits, ‘laser’ guns, and gigantic deep-sea battle sounds, to the challenges of designing (intelligible) underwater vocals:

#sound design#film sound#aquaman#aquaman sound#aquaman sound design
How the Mixers and editors built the sounds for Os

January 27, 2019, 05:32 PM

https://www.uticaod.com/news/20190127/how-editors-...

The question never fails to pop up in the weeks before the Oscars, perhaps the most high-profile event at which the craftspeople are honored. So to put the matter to rest, we chatted earlier this month with the teams behind a few films that received nominations in the sound categories: “A Quiet Place,” recognized for editing; “A Star Is Born,” recognized for mixing; and “First Man,” recognized for both.

A Quiet Place Sound Editors Discuss Sound Design

January 26, 2019, 10:24 AM

https://film.avclub.com/a-quiet-places-oscar-nomin...

It’s safe to say that A Quiet Place wouldn’t work without the excellent sound design from supervising sound editors, Erik Aadahl and Ethan Van der Ryn. The two have been working together for over a decade, sharing a pair of Oscar nominations for their sound editing work on Argo and Transformers: Dark of the Moon, and as of this Tuesday, they’ve earned their third for their work on A Quiet Place as well. In this video, the sound editing duo explain the importance of sound design in film.

Michael Legrand Passes

January 26, 2019, 10:24 AM

https://deadline.com/2019/01/michel-legrand-dies-o...

Michel Legrand, Oscar-winning film composer and pianist, whose memorable works included the score for the 1960s film The Umbrellas of Cherbourg and the song “The Windmills of Your Mind” from The Thomas Crown Affair, died Saturday at his home in Paris, his publicist told Agence France-Presse. He was 86.

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