It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 28, 2018, 06:08 AM
https://www.asoundeffect.com/altered-carbon-sound/
Netflix' cyberpunk sci-fi series Altered Carbon is generating a lot of excitement, and for good reason. In this exclusive A Sound Effect interview, supervising sound editor Brett Hinton and sound designer Owen Granich-Young share the story behind their designs for the series’ tech, weapons, AI characters, vehicles, environments for the multilingual ‘Bay City, and more!
February 27, 2018, 01:16 PM
https://www.prosoundeffects.com/blog/how-to-record...
Get tips for capturing immersive 3D audio recordings with the AMBEO VR. In the growing landscape of spatial audio, we want our users to have access to the best resources available. We recently launched our VR Field Recording Giveaway featuring state-of-the-art 3D audio tools from Sennheiser, Zoom, and BaseHead along with ... The post How to record Ambisonics with the Sennheiser AMBEO VR Mic appeared first on Pro Sound Effects Library.
February 26, 2018, 06:14 PM
http://postperspective.com/ren-klyce-mixing-score-...
By Jennifer Walden There are space battles and epic music, foreign planets with unique and lively biomes, blasters, lightsabers, a universe at war and a force that connects it all. Over the course of eight “Episodes” and through numerous spin-off series and games, fans of Star Wars have become well acquainted with its characteristic sound. Continue reading → February 26, 2018 The post Ren Klyce: Mixing the score for Star Wars: The Last Jedi appeared first on Randi Altman's postPers...
February 26, 2018, 12:56 PM
http://designingsound.org/2018/02/soundandpicture-...
SoundAndPicture has recently published an in depth interview with Production Mixer Mary Ellis And Editor Paul Machliss about their work on “Baby Driver” and how the music dictated the timing of almost every other sound. You can read the full article here.
February 25, 2018, 06:35 AM
http://www.btlnews.com/blog-the-line/cas-awards-wi...
Motion Picture – Live Action Dunkirk Production Mixer – Mark Weingarten, CAS Re-recording Mixer – Gregg Landaker Re-recording Mixer – Gary Rizzo, CAS Scoring Mixer – Alan Meyerson, CAS ADR Mixer – Thomas J. O’Connell Foley Mixer – Scott Curtis Television Series – 1 Hour Game of Thrones: “Beyond the Wall” Production Mixer […] The post CAS Awards Winners for 2018 appeared first on Below the Line.
February 25, 2018, 06:35 AM
http://www.btlnews.com/featured/82599/
Anna Behlmer honored with CAS Career Achievement Award Joe Wright presented with CAS Filmmaker Award Tomlinson Holman, CAS honored with Edward J. Greene Award The Cinema Audio Society Award for Outstanding Sound Mixing Motion Picture – Live Action was presented to the sound mixing team from Dunkirk of Mark Weingarten CAS, Gregg Landaker, Gary Rizzo CAS, Alan Meyerson […] The post Dunkirk, Coco, and Jane Take Top Honors at CAS Awards appeared first on Below the Line.
February 25, 2018, 06:34 AM
http://www.goldderby.com/article/2018/2018-cinema-...
At Saturday’s Cinema Audio Society Awards, “Dunkirk” edged out three of its Oscar rivals for Best Sound Mixing — “Baby Driver,” “The Shape of Water” and “Star Wars: The Last Jedi” — as well as “Wonder Woman” for the top award. The CAS snubbed “Blade Runner: 2049,” which won big with the Motion Picture Sound Editors on Feb. 18
February 25, 2018, 06:34 AM
https://www.asoundeffect.com/6-podcasts-worth-hear...
It’s time to freshen up on what’s going on in the audio industry through the delightful voices of our favorite hosts.
February 25, 2018, 06:34 AM
http://soundworkscollection.com/news/cinema-audio-...
The Cinema Audio Society Award for Outstanding Sound Mixing Motion Picture - Live Action was presented to the sound mixing team from “Dunkirk” of Mark Weingarten CAS, Gregg Landaker, Gary Rizzo CAS, Alan Meyerson CAS, Thomas J. O’Connell and Scott Curtis.
February 24, 2018, 06:29 AM
http://www.btlnews.com/featured/54th-annual-cinema...
The 54th Annual Cinema Audio Society Awards (CAS), presented by Dolby Labs, recognizing Outstanding Achievements in film and television sound mixing will be held Saturday, Feb. 24th at the Omni Los Angeles Hotel. Joe Wright, Oscar nominated for Darkest Hour, is to receive the CAS Filmmaker Award this year, and Anna Behlmer will […] The post The 54th Annual Cinema Audio Society Awards February 24th appeared first on Below the Line.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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