It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 28, 2017, 12:40 PM
https://www.aotg.com/dpa-captures-sound-for-geordy-sincavage/
As a foley mixer, Geordy Sincavage has worked on a variety of films and television series throughout his career, including The Revenant, and HBO original series' The Leftovers and Westworld.
#dpa#dpa microphonesAugust 28, 2017, 04:46 AM
http://designingsound.org/2017/08/preventing-burno...
We are in highly creative, highly competitive, deadline-driven fields, and as such, over-exertion and long hours are often the norm. I’m been through the delirium of long crunches dozens of times and have unfortunately seen amazingly talented people fall victim to the stresses and exhaustion, ending their careers and leaving the creative field far too […]
August 26, 2017, 01:36 PM
http://designingsound.org/2017/08/a-sound-effect-s...
A Sound Effect just started a audio events calendar featuring audio events, conferences & meetups from all around the globe. You can read more about it in the official announcement. (title picture credit: A Sound Effect)
August 26, 2017, 06:27 AM
http://designingsound.org/2017/08/ibc-the-sound-mi...
IBC recently published an in-depth article about the Sound Design, Mixing & SFX Recording of Edgar Wright’s Baby Driver. You can read the full story here.
August 24, 2017, 05:39 AM
https://www.premiumbeat.com/blog/importance-silenc...
The clever use of silence can help you guide your audience's reaction to your film. Let's take a look at how to pull it off.
August 24, 2017, 05:39 AM
http://www.studiodaily.com/2017/08/indiana-jones-s...
Musician Eclectic Method built a two-minute dance track exclusively from sound FX swiped from films in the Indiana Jones franchise. The post Indiana Jones Sound Effects Remix appeared first on Studio Daily.
August 23, 2017, 09:18 AM
http://postperspective.com/emmy-awards-anthony-bou...
Re-recording mixer Brian Bracken and supervising sound editor Benny Mouthon By Jennifer Walden CNN’s Anthony Bourdain: Parts Unknown is an award-winning travel series about food and politics. Or is it a food series about travel and politics? Perhaps it’s best described as a three-course mind-meal of food, Continue reading → August 23, 2017 The post Emmy Awards: Anthony Bourdain: Parts Unknown appeared first on Randi Altman's postPerspective.
August 23, 2017, 09:18 AM
http://designingsound.org/2017/08/re-igniting-a-co...
This is a guest submission from Nate Flaks. Nate is a soon-to-be-LA-based Sound Editor and half of the electronic duo Sleeping Lion. He is an alumni of Berklee College of music where he studied Film Scoring and Electronic Production & Design. In hindsight, it was arrogant to believe that I’d somehow know what “too much” was before […]
August 22, 2017, 12:26 PM
http://www.prosoundeffects.com/blog/how-to-create-...
Configure Pro Tools session templates for efficient FX and background editorial. Templates are a very important part of the sound editing process. When I begin a project, it’s essential that I’m not wasting energy reorganizing and rerouting tracks. Instead, when I begin editorial, I want to focus on the story ... The post How to Create Pro Tools Session Templates for Sound Effects Editing appeared first on Pro Sound Effects Library.
August 21, 2017, 09:13 AM
https://www.aotg.com/pro-tools-mtrx-monitoring-with-pro-tools-s/
The Pro Tools | MTRX features a user customizable monitor section which can be controlled via EUCON. Learn how to lock the MTRX monitor profile to the S6 and control sources, speakers and cue mixes from the Master Touch and Master Automation Modules.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.