October 12, 2013, 03:15 PM
When it comes to Russian filmmakers, the first names that come to nearly everyone’s mind are Andrei Tarkovsky and Sergei Eisenstein. Both were exceptional, and Eisenstein is seen as the father of modern montage theory. However, a lesser known filmmaker, Vsevolod Pudovkin, proves just how integral Russian film was to cinema at the beginning of the 20th century by providing his own montage theory, slightly different from that of Eisenstein...
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