March 15, 2017, 04:32 PM
Avid's name has remained synonymous with high-end editorial for film and television for decades, and the company has retained a leadership role despite fierce competition. At this year's Academy Awards, for instance, every film nominated for Best Picture was cut on … more » The post Q&A: Avid’s Matt Feury on State-of-the-Art Avid 4K Workflow appeared first on Studio Daily.
Cindy Mollo sits down to discuss the editing of Ozark.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
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