April 5, 2019, 06:21 AM
This month, three very different projects will showcase three sides of the same composer: a grand-scale symphonic score for a comic-book movie; a hardcore punk sound for a nightmarish supernatural tale; and a surprising combination of orchestra and electronics for an edgier-than-usual nature documentary.
Cindy Mollo sits down to discuss the editing of Ozark.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
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