March 2, 2012, 10:53 AM
Editing a rough cut in Premiere Pro (or any NLE) can be a slow and laborious process, particularly if you have been tucking your footage in all sorts of different Bins, and even Bins within Bins. A lot of "to-ing" and "fro-ing" between them looking for the next shot.
Cindy Mollo sits down to discuss the editing of Ozark.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
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