January 25, 2017, 11:45 AM
Fremont, CA - January 25, 2017 - Blackmagic Design today announced that more than 45 films and series at the 2017 Sundance Film Festival used its digital film cameras, DaVinci Resolve Studio grading, editing and finishing solution, Fusion Studio visual effects (VFX) and motion graphics software, Video Assist monitor and recorder, and other products throughout production and post production.
Some of the festivalâ€™s most anticipated films and series were shot and completed using Blackmagic Design products, including â€œCarpinteros (Woodpeckers)â€ which was shot with an URSA Mini 4.6K, â€œColossalâ€ that used Fusion Studio for its VFX, and many films such as â€œA Ghost Story,â€ â€œThe Big Sick,â€ â€œThe Discovery,â€ â€The Heroâ€ and â€œRebel in the Ryeâ€ that were graded using DaVinci Resolve Studio.
Some of the Sundance Films That Used Blackmagic Design Cameras and Gear:
â€œBeatriz at Dinnerâ€ shot by DP Wyatt Garfield with a workflow supported by an UltraStudio for playback, HDLinks for monitoring, and a Smart VideoHub for routing, and with selective use of DaVinci Resolve Studio by VFX Supervisor George Loucas of BakedFX;
â€œBrigsby Bearâ€ shot by DP Christian Sprenger using a Video Assist and Mini Converters Analog to SDI;
â€œCarpinteros (Woodpeckers)â€ shot by DP HernÃ¡n Herrera with an URSA Mini 4.6K digital film camera;
â€œCasting JonBenetâ€ shot by DP Michael Latham with a Blackmagic Production Camera 4K, using an UltraStudio Mini Monitor for display output;
â€œColossalâ€ VFX done with Fusion Studio by Compositing Supervisor Eric Doiron of Intelligent Creatures;
â€œA Ghost Storyâ€ post team used a Pocket Cinema Camera for several VFX shots;
â€œThe Little Hoursâ€ Editor Ryan Brown used an UltraStudio Mini Monitor for Thunderbolt-based playback; and
â€œOklahoma Cityâ€ Director Barak Goodman and team used a post production workflow supported by UltraStudio 4K, UltraStudio Mini Monitor, Teranex 2D Processor and Blackmagic UltraScope PCIe card.
Some of the Sundance Films and Series That Used DaVinci Resolve and DaVinci Resolve Studio:
â€œ500 Yearsâ€ by Colorist Ken Sirulnick of Glue Editing & Design;
â€œBeach Ratsâ€ by Colorist Nat Jencks;
â€œBefore I Fallâ€ by Colorist Alex Bickel of Color Collective at Technicolor PostWorks;
â€œThe Big Sickâ€ by Colorist Alex Bickel of Color Collective at Technicolor PostWorks;
â€œCarpinteros (Woodpeckers)â€ by Colorist HernÃ¡n Herrera;
â€œDayveonâ€ by Colorist Mike Howell of Color Collective;
â€œThe Discoveryâ€ by Colorist Alex Bickel of Color Collective at Technicolor PostWorks;
â€œFamily Lifeâ€ by Colorist Daniel DÃ¡vila of Kine ImÃ¡genes;
â€œFree and Easyâ€ by Colorist Wentao Li of Homeboy Digital Film Laboratory;
â€œGente-fiedâ€ by Colorist Gonzalo Digenio;
â€œA Ghost Storyâ€ by Colorist Joe Malina;
â€œGolden Exitsâ€ by Colorist Jason Crump of Metropolis Post;
â€œThe Heroâ€ by Colorist Mike Howell of Color Collective;
â€œI Donâ€™t Feel At Home In This World Anymoreâ€ by Colorist Andrew Francis of Sixteen19;
â€œICARUSâ€ by Colorist Luke Cahill of Different by Design;
â€œThe Incredible Jessica Jamesâ€ by Colorist Mike Howell of Color Collective;
â€œJoshua: Teenager vs. Superpowerâ€ by Colorist Luke Cahill of Different by Design;
â€œKilling Groundâ€ by Colorist Billy Wychgel;
â€œL.A. Timesâ€ by Colorist Aaron Peak of Wildfire Finishing, with online editing in DaVinci Resolve Studio done by Wildfire Finishing and by Editor John-Michael Powell, who also used an Intensity Extreme used for offline playback;
â€œLandlineâ€ by Colorist Joe Gawler of Harbor Picture Company;
â€œLegion of Brothersâ€ by Colorist Brian Hutchings of Different by Design;
â€œLook and See: A Portrait of Wendall Barryâ€ by Colorist Daniel Stuyck;
â€œManifestoâ€ by Colorist and Post Production Supervisor Jan SchÃ¶ningh;
â€œThe Mars Generation,â€ by Colorist Robert Crosby at Neptune Post, and Director Michael Barnett also used DaVinci Resolve Studio and numerous Teranex processors to transcode and convert more than 600 archival clips from more than 70 archival sources from around the globe;
â€œMotherlandâ€ by Colorist Daniel Stuyck;
â€œMudboundâ€ by Colorist Joe Gawler of Harbor Picture Company;
â€œMy Happy Familyâ€ by Colorist Philip Whitfield of WeFadeToGrey;
â€œThe New Radicalâ€ by Colorist Nat Jencks;
â€œNOBODY SPEAK: Hulk Hogan, Gawker and the Trials of a Free Pressâ€ by Luke Cahill of Different by Design;
â€œNovitiateâ€ by Colorist Andrew Francis of Sixteen19;
â€œOklahoma Cityâ€ by Colorist Chris Connolly;
â€œPineappleâ€ by Colorist Robert Louis Garza;
â€œRebel in the Ryeâ€ by Colorist Steven Bodner of Light Iron;
â€œRED DOG: True Blueâ€ by Colorist Dee McClelland at Soundfirm;
â€œRiseâ€ by Colorist Ryan Ruskay of VICE Canada;
â€œRUMBLE: The Indians Who Rocked the Worldâ€ by Colorist Francis Hanneman of Studio Hanneman, and Colorist Tony Manolikakis of Rev13 Films;
â€œShit Kidsâ€ by Colorist Brennan Barsell of Cinelicious, and Editor Salvador PÃ©rez GarcÃa for online editing;
â€œSueÃ±o en otro idioma (I Dream in Another Language)â€ by Colorist Phaedra Robledo of Cinema Maquina;
â€œTAKE EVERY WAVE: The Life of Laird Hamiltonâ€ by Colorist Kevin Cannon of Different by Design;
â€œTokyo Idolsâ€ by Colorist Francis Hanneman of Studio Hanneman;
â€œUnrestâ€ by Colorist Andrew Balis of Different by Design;
â€œWhere is Kyra?â€ by Colorist Joe Gawler of Harbor Picture Company;
â€œWhose Streets?â€ by Colorists Adam Inglis and Tif Luckenbill of Post Factory; and
â€œWorld Without End (No Reported Incidents)â€ by Colorist Jason Crump of Metropolis Post.
Product photos of URSA Mini 4.6K, Video Assist, Production Camera 4K, Fusion Studio, DaVinci Resolve Studio, UltraStudio Mini Monitor, UltraStudio 4K, Smart VideoHub, Teranex processors, UltraScope, Intensity Extreme, Mini Converters Analog to SDI, HDLinks, and all other Blackmagic Design products are available at www.blackmagicdesign.com/press/images.
About Blackmagic Design
Blackmagic Design creates the worldâ€™s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Designâ€™s DeckLink capture cards launched a revolution in quality and affordability in post production, while the companyâ€™s Emmyâ„¢ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.
Blackmagic Design today announced that more than 45 films and series at the 2017 Sundance Film Festival used its digital film cameras, DaVinci Resolve Studio grading, editing and finishing solution, Fusion Studio visual effects (VFX) and motion graphics software, Video Assist monitor and recorder, and other products throughout production and post production.#editing#vfx#grading
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