It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
May 24, 2017, 09:39 AM
AfterCodecs is a plugin for After Effects that connects to your render queue and allows direct rendering to compressed codecs without using media encoder.Here is a quick look at the results I got.#encoding#after effects#plugins#adobe after effects#aescripts#aftercodecs#x264#x265
January 15, 2013, 02:46 PM
Thursday Jan. 24th, at 2pm ET I’ll be moderating another StreamingMedia.com webinar on one of our most popular topics, “Best Practices for Advanced Encoding & Transcoding.” Take your encoding and transcoding knowledge to the next level with this instructional webinar that will highlight the latest advanced encoding techniques. Get details on delivering higher video quality at lower bitrates and how to prepare high-quality video for delivery to any screen using multiple formats.#encoding#webinar#format
January 14, 2013, 08:39 PM
Fujitsu Frontech North America has announced a new firmware release that dramatically improves end-to-end latency for its IP-9610, IP-900, and IP-920 HD/SD H.264 video encoders/decoders while delivering an exceptional picture quality at reduced bit rates.#encoding#h264#fujitsu#released#ultralow
December 28, 2012, 02:22 PM
When you compress video for on-demand streaming, you primarily care about three things; quality, quality and… let’s see, oh yes, quality. If you’re been encoding H.264 video with Apple Compressor using the codec that Apple provides, you definitely haven’t been optimizing the quality of your video.#encoding#fcpx#final cut pro x
November 14, 2012, 01:53 PM
MONTREAL and CHICAGO -- Nov. 14, 2012 -- Haivision today announced their next-generation, high-performance H.264 video encoding platform, the Makito(TM) X Series. The innovative Makito X Series combines a market-proven feature set with a six fold increase in encoding power to deliver quantum advances in picture quality and density.#encoding#streaming#h264
October 30, 2012, 08:11 AM
(San Diego, California--October 30, 2012) Sorenson Media today announced the immediate availability of Sorenson Squeeze Server 2.0, the easiest-to-use and fastest-ever version of the company’s high-volume enterprise-grade video transcoding and encoding solution. The new application, built on the perennial gold-standard Sorenson Squeeze encoding engine, significantly improves performance while streamlining encoding and transcoding tasks.#sorenson#media#squeeze#server#encoding#transcoding
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Udit Duseja Discusses his Composition and Audio Work on America and All Light Everywhere
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