It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 12, 2012, 09:47 AM
http://www.fcp.co/final-cut-pro/tutorials/970-work...
The 10.0.6 update to FCPX was huge. One of the new features was the ability to ingest and handle RAW files from the RED range of cameras. Our normal duo get very excited showing how easy this has become in Final Cut Pro X.
#fcpx#final cut pro x#red#apple#raw#raw filesNovember 12, 2012, 05:06 AM
http://www.fcp.co/final-cut-pro/news/969-apple-upd...
Apple have updated their ProRes White Paper and tucked away are some interesting performance figures for Final Cut Pro X on a Retina Macbook Pro. A great read with some great explanations.
#fcpx#final cut pro x#apple#prores#white paperNovember 11, 2012, 02:29 PM
http://www.aotg.com/techblog/2012/11/11/sugar-fx-r...
Creating rolling credits at the end of a film has never been one of my favorite things to do. Let's face it when finishing film in FCP7 it was just plain painful at times. Well luckily SugarFX realized this and gave a a beautiful plugin for FCPX known as Rolling Credits. Rolling Credits is a...
#fcpx#fcp7#final cut pro#sugar fx#rolling credits#creditsNovember 9, 2012, 07:02 PM
http://www.philiphodgetts.com/2012/11/7tox-for-fin...
The latest release of 7toX for Final Cut Pro available today in the Mac App Store includes: o Bug fix for scale when there is no aspect ratio set o Bug fix for still images in an Event o Bug fix for sequence markers o Bug fix for track audio levels and pans in nested...
#fcpx#final cut pro x#7toxNovember 9, 2012, 07:01 PM
http://feedproxy.google.com/~r/EditingWhiz/~3/OoOu...
SliceX from CoreMelt provides a powerful masking tool for Final Cut Pro X. As mentioned in my review, with SliceX you're able to create custom masks using on-screen controls. These masks can be used to remove part of a shot, blur an object or face, add refine color corrections, and more. SliceX normally retails for...
#fcpx#final cut pro x#slicexNovember 9, 2012, 02:38 PM
http://www.premiumbeat.com/blog/slow-motion-fcpx/
Learn about the benefits of optical flow slow motion in Final Cut Pro X! In these tutorials you'll see how to give your video footage super smooth slow motion.
#fcpx#final cut pro#nle#slow motion#footageNovember 9, 2012, 02:38 PM
http://support.apple.com/kb/HT5572
Apple ProRes is one of the most popular and commonly used codecs in professional post-production. The Apple ProRes family of video codecs has made it both possible and affordable to edit full-frame, 10-bit, 4:2:2 high-definition (HD), 2K, 4K, and 5K video sources with multistream performance in Final Cut Pro X.
#fcpx#final cut pro#apple#prores#white paper#apple proresNovember 8, 2012, 08:07 PM
http://www.tvtechnology.com/article/red-giant-soft...
PluralEyes is a software application that automatically synchronizes multiple video cameras by matching their audio waveforms. It can be used for any type of multicamera shoot, and eliminates the need for cameras to be synced by timecode or slate. It's also ideal for shooting with a DSLR camera and capturing audio on a separate recorder. PluralEyes 2.0 is designed to work seamlessly with Avid Media Composer, Final Cut Pro X and 7, Adobe Premiere Pro, Sony Vegas and Edius editing platforms.
#editing#avid#sony#fcpx#edius#red giant#final cut pro#sony vegas#plural eyesNovember 8, 2012, 08:04 PM
http://www.creativeplanetnetwork.com/2-pop/news/ti...
Rich Harrington shows you how to import and build a time-lapse sequence in Final Cut Pro X in the free tutorial video found below.
#fcpx#final cut pro x#timelapse#time-lapseNovember 8, 2012, 12:33 PM
http://feedproxy.google.com/~r/EditingWhiz/~3/SRHL...
The cropping and masking tools built into Final Cut Pro X are very basic and limited. But, with SliceX from CoreMelt, you have a lot more customization. SliceX lets you create instant Shape Masks to cut out layers or isolate effects directly in Final Cut Pro X without having to go into Motion or create the...
#fcpx#final cut pro x#nle#plugin#slicex#masks
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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