A community-driven source for post-production information
September 3, 2014, 08:23 AM
Imagineer Systems will be exhibiting at this year’s IBC Show, which will be held at the RAI in Amsterdam from September 12th through 16th. Visit Imagineer Systems at stand 7.K29 for hands-on demonstrations of the recently released mocha Pro 4, which features a brand new stereoscopic 3D workflow, Python scripting support, Adobe Premiere support, customizable keyboard shortcuts, new exports and format handling, and more improvements for visual effects and post-production facilities.#vfx#visual effects#post production#ibc#mocha#adobe premiere#adobe after effects#planar tracking#imagineer#ibc2014#stereoscopic 3d
April 1, 2014, 10:03 AM
Imagineer Systems and mamworld today announced the release of MochaImport+ for NUKE. The newest VFX utility application to come out of the long-standing partnership between Imagineer Systems and mamoworld, MochaImport+ for NUKE bridges data flow between NUKE and mocha Pro, allowing visual effects artists to work seamlessly on complex compositing and tracking projects using their “go to” visual effects applications.#3d#after effects#post production#mochaimport#motion graphics#imagineer systems#planar tracking#mocha pro#mamoworld#mochaimport for nuke
January 13, 2014, 01:20 PM
Imagineer Systems and CoreMelt today announced the release of TrackX Powered by mocha. The latest Apple® Final Cut Pro® X (FCP X) plug-in to come out of the strategic partnership between Imagineer Systems and CoreMelt, TrackX powered by mocha leverages the Academy Award-winning Planar Tracking technology to precisely track camera motion, objects and people for seamless visual effects and screen composites.#fcpx#final cut pro x#post production#coremelt#mocha#imagineer systems#fcp x plug-in#imagineer systems mocha#planar tracking#trackx
Christopher Peterson, ACE, sits down with Gordon to discuss American Crime Story: Impeachment.
Gordon Burkell sits down with Alex Amick to discuss her work on the Muppets Haunted Mansion.
Cindy Mollo sits down to discuss the editing of Ozark.
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