A community-driven source for post-production information
January 18, 2013, 01:17 PM
There are a few ways of importing RED media into the Avid depending on your workflow and if the DIT is providing transcoded media. RED source files contain a lot of metadata which is useful during certain phases of post production. Because AAF and MXF media don’t retain this information once transcoded, an Avid Log...#media#transcoding#avid#media composer#mc6#red#nle#r3d#ale
January 12, 2013, 11:34 AM
The 4K buzz seems to be steam-rolling the industry just like stereo3D before it. It's too early to tell whether it will be an immediate issue for editors or not, since 4K delivery requirements are few and far between. Nevertheless, camera and TV-set manufacturers are building important parts of the pipeline. RED Digital Cinema is...#red#4k#r3d#online#offline
December 4, 2012, 10:50 PM
RED released a new version of its Red Apple Workflow Installer. Version 2.1 fixes an issue where image had a green tint when loading certain RMD files. If you want to download this update, head to RED's...#fcpx#red#final cut pro#nle#r3d#rmd
December 4, 2012, 01:28 PM
Apple has published an updated white paper on RED workflows with Final Cut Pro X. The new edition takes into account version 10.0.6's native ingestion features for RED files as well as providing tips for working with multiple frame sizes and more.#workflow#fcpx#red#apple#r3d
December 4, 2012, 08:18 AM
As FCPX matures, we are seeing more and more features being cut on the software. The Precipice is a low budget Australian indie that chose to post on FCPX for flexibility and speed.#fcpx#final cut pro x#red#apple#r3d
December 3, 2012, 02:40 PM
For several years a disrupter in the acquisition business, Red Digital Cinema got into distribution late Friday with the announcement of its new Redray 4K Cinema Player. The product release includes a new .RED file format that carries 4K at just 2.5 MB/sec (20 Mbps), the RRencode plug-in for RedCine-X Pro that converts footage to .RED, and the Odemax content distribution platform.#red#post#r3d#format
November 28, 2012, 07:51 PM
Shooting on RED Epics at Red Studios in LA, all the DIT work and dailies of the film "Hitchcock" were handled by one operator working on a cart that housed two 12 core Tower Macs fitted with three Red Rocket cards and 70 terabytes of hard drive space.#workflow#red#digital#dailies#r3d#hitchcock#la#dit#epic#studios
November 21, 2012, 05:02 PM
Embracing FCP X and the RED Camera System from the earliest releases has been proven a successful choice for filmmaker David Battistella, whose enticing respect for the RED/FCPX workflow shines through from detailed explanation to his finished work. Everything we dreamed RED could be in post is beginning to unfold with the new FCP X update.#editing#fcpx#red#final cut pro#nle#apple#r3d
November 20, 2012, 10:51 PM
Follow this RED to Premiere Pro workflow! Great tips for working with RED files natively in Premiere, modifying metadata and creating unique looks for your footage.#red#post#r3d#technical#mochaimport
November 20, 2012, 10:41 PM
As you may have heard, the new version 3.1 of mocha supports RED (R3D) files. We also updated MochaImport+ accordingly to support this file type.#red#post#r3d#technical#mochaimport
Cindy Mollo sits down to discuss the editing of Ozark.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
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