A community-driven source for post-production information
November 20, 2012, 03:17 PM
Digital camera development has been running in high gear for several years, outpacing any other portion of our industry. Thanks to a revolution started by RED, Nikon and Canon, videographers are now blessed with a wide range of small, affordable, high-performance imaging systems that have liberated us from the restrictions of the mundane 2/3" video camera.#blackmagic#red#film#r3d#rethinking raw
November 19, 2012, 08:06 AM
The latest 10.0.6 update to FCPX brought sophisticated support for media shot on the RED cameras. This new white paper details different workflows with FCPX and also suggests one very handy tip for changing the resolution of your projects once editing has been finished.#fcpx#final cut pro x#red#apple#r3d#white paper
November 17, 2012, 08:52 AM
If you just got in on a RED camera for a tremendous price, and you aren’t familiar to the RED workflow, it can be a little confusing at first, especially since RAW files offer a tremendous amount of flexbility. If you’ve got Adobe Premiere Pro CS6, RED has put together a little video showing exactly what you need to do to get started working with RED RAW files and manipulating them within the program.#adobe#cs6#red#premiere pro#premiere#r3d
November 14, 2012, 02:01 PM
The 10.0.6 update to FCPX was huge. One of the new features was the ability to ingest and handle RAW files from the RED range of cameras. Our normal duo get very excited showing how easy this has become in Final Cut Pro X.#fcpx#red#final cut pro#apple#r3d#raw
November 12, 2012, 01:35 PM
Ok, this was really last week's episode that's out a little late. But IMHO it's worth the wait - in it, Steve Martin from Ripple Training shows me how easy it is to work natively with RED R3D files in the Final Cut Pro X 10.0.6 update.#fcpx#final cut pro x#red#r3d#raw#files
November 7, 2012, 12:55 PM
Resolve 9 R3D Grading Workflow Markus Wellguny shares his dailies, editorial and final conform workflow in his guest post on Ninofilm.net. If you’re about to begin work on a R3D project and want to be able to grade from you...#workflow#color grading#red#grading#color#colour#r3d
November 5, 2012, 04:12 PM
This short video tutorial shows how R3D files work natively within Adobe Premiere Pro CS6. See how to import files, adjust metadata, save presets and more.#workflow#adobe#cs6#red#premiere pro#premiere#r3d#metadata
October 29, 2012, 03:08 PM
Watch this short video introducing some of the features of the new RED Final Cut Pro X plug-in which allows you to work with .R3D files natively within Final Cut Pro X. The video covers topics like importing files, metadata, exporting XMLs and more.#fcpx#final cut pro x#red#plugin#plug-in#xml#r3d
October 29, 2012, 02:53 PM
As of the release of Final Cut Pro X version 10.0.6, native REDCODE RAW and the REDROCKET card are fully supported as of FCP 10.0.6. This is the R3D video file format that is proprietary to RED brand cameras. There are some neat tricks to using REDCODE RAW clips natively in FCP X. In this article I’ll walk you through what you'll need to know if you want to edit REDCODE RAW media natively in FCP X.#fcpx#final cut pro x#red#plugin#r3d#redcode#raw
Cindy Mollo sits down to discuss the editing of Ozark.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
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