A community-driven source for post-production information
November 19, 2012, 07:57 AM
Sonys S-log really transforms the PMW-F3 to a different camera. It’s as close to shooting raw with the F3 but much easier to deal with in post. The kicker is skintones. Faces looks so natural once graded and even though it was a long time since I worked with 35mm film material it at times reminds me of what I saw back then. I also see very similar grain structure compared to the Alexa and they both share about the same pixel count – about 3.5Mp.#sony#camera#arri#s-log#slog
Christopher Peterson, ACE, sits down with Gordon to discuss American Crime Story: Impeachment.
Gordon Burkell sits down with Alex Amick to discuss her work on the Muppets Haunted Mansion.