To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Premiere Pro Audio Workflow Part 2

June 8, 2017, 10:43 AM

http://www.premierebro.com/blog/premiere-pro-audio...

PART 2: TUBE-MODELED COMPRESSOR, PARAMETRIC EQ, AUDIO KEYFRAMING, HARD LIMITER — This Premiere Pro Audio Workflow Guide for Editors is a 2-part series that identifies "essential" audio tools in Premiere Pro, and shows how to use them in a real-world audio workflow. This series is modeled after the audio workflow of veteran editor and trainer, Paul Murphy, who shares his recommendations for producing a professional mix in Premiere Pro.

#audio#adobe#premiere pro#creative cloud#sound
Premiere Pro Audio Workflow for Editors Part 1

June 2, 2017, 01:51 PM

http://www.premierebro.com/blog/premiere-pro-audio...

PART 1: LOUDNESS AUTO-MATCH, AUDIO GAIN, AND LOUDNESS RADAR. This Premiere Pro Audio Workflow Guide for Editors is a 2-part series that identifies "essential" audio tools in Premiere Pro, and shows how to use them in a real-world audio workflow. Part 1 focuses on how to use the Loudness Auto-Match button, Audio Gain, and the Loudness Radar to achieve a target loudness, particularly for the web. This series is modeled after the audio workflow of veteran editor and trainer, Paul Murphy, who shares

#audio#adobe#mixing#premiere pro#sound
HPA Awards Nominees Announced

September 30, 2016, 11:07 AM

https://www.aotg.com/hpa-awards-nominees-announced/

Creative nominations announced for editing, sound, visual effects and color grading

#editing#vfx#color grading#hpa awards#hpa#visual effects#sound
RTW Displaying Loudness Control Solutions at IBC

July 20, 2016, 01:23 PM

https://www.aotg.com/rtw-displaying-loudness-control-solutions-at-ibc/

RTW will be showcasing its full range of monitoring and metering software and hardware devices, as well as a few new product updates at IBC 2016 in Amsterdam (Stand 8.D89)

#audio#sound#rtw#ibc 2016#clc
Linear Acoustic to Provide Audio for 2016 Olympics

April 18, 2016, 09:49 AM

https://www.aotg.com/linear-acoustic-to-provide-audio-for-2016-olympics/

Linear Acoustic to Enable NBC Olympics to Create Compelling 5.1 Channel Surround During its Coverage of 2016 Rio Olympics

#broadcast#sound#linear acoustic#rio#olympics#2016 olympics
Korg minilogue Now Available at Adorama

January 21, 2016, 11:21 AM

https://www.aotg.com/korg-minilogue-now-available-at-adorama/

Brand new four-voice polyphonic analogue synth from Korg now selling at Adorama for just $499.99; minilogue to make its world debut at NAMM 2016

#audio#sound#adorama#korg#korg minilogue#synth
Confessions of an Avid Product Designer

June 8, 2015, 08:57 AM

http://www.aotg.com/index.php?page=cuttingroom_167

In this episode Gordon sits down with former Avid Product Designer and Avid Product Manager Doug Hansel. We discuss what it takes to manage Avid and Pro Tools and balance the relationships of older and younger editors to the software. We talk about the intricacies of ensuring older editors are not upset with design changes, and simultaneous need for innovation to ensure younger editors are enticed to try out Avid products.

#editor#editing#avid#software#post production#pro tools#sound#product designer

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