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The Third Man (1949)

April 30, 2013, 04:28 AM

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Though the modern title sequence would not emerge until several years later, the main titles for Carol Reed's 1949 film noir The Third Man remain one of the more distinctive pre-Saul Bass examples to come out of either Hollywood or Britain.Aligned with the plucked strings and ovoid aperture of a zither - a guitar-like instrument common to Eastern Europe...

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