January 29, 2019, 11:42 AM
Fremont, CA - January 29, 2019 - Blackmagic Design today announced that more than 35 films, episodic series and projects at the 2019 Sundance Film Festival were shot and completed using Blackmagic Design products.
Blackmagic Design congratulates the many projects selected for Sundance that were created with its digital film cameras, Fusion Studio visual effects (VFX) and motion graphics software, DaVinci Resolve professional editing, color grading, VFX and audio post production software, and more. This includes â€œ4 Feet: Blind Dateâ€ composited with Fusion by Martin Lopez Funes of Malditomaus and his team, and films such as â€œNative Son,â€ â€œThe Infiltrators,â€ â€œThem That Follow,â€ â€œBig Time Adolescence,â€ and many more that were graded and edited with DaVinci Resolve Studio.
Lucien Harriot, president of New York based Mechanism Digital, used Fusion Studio for his VFX work on â€œLuce.â€ According to Harriot, â€œSome of the shots in â€˜Luceâ€™ were quite challenging. For example, one particularly long shot orbited several times around an actor standing in a high school lobby, and we had to remove the camera crewâ€™s reflections from all of the windows and trophy cases. Fusion Studioâ€™s tracking tools came in very handy on those tasks.â€
Some of the Sundance Projects that Used Blackmagic Design Cameras and Gear:
â€¢ â€œ4 Feet: Blind Dateâ€ media production company Detona Cultura and Realidad 360Â° Argentina used a Micro Converter SDI to HDMI, a Micro Converter HDMI to SDI and an Intensity Extreme for real time camera monitoring;
â€¢ â€œClemencyâ€ DIT Peter Brunet and DP Eric Branco used a Smart Videohub 12x12 for routing, SmartView Duo for monitoring, and DaVinci Resolve and an UltraStudio Express for grading on set;
â€¢ â€œThe Dispossessedâ€ Director Musa Syeed used a Pocket Cinema Camera;
â€¢ â€œThe Ghost Behindâ€ Director Caroline Rumley used a Pocket Cinema Camera;
â€¢ â€œHoney Boyâ€ DIT Ernesto Joven used DaVinci Resolve, Smart Videohub 20x20, SmartScope 4K and UltraStudio Express;
â€¢ â€œItâ€™s Not About Jimmy Keeneâ€ Director Caleb Jaffe used a Pocket Cinema Camera for pickup shots;
â€¢ â€œPlayhouseâ€ DP Sophie Feuer used an URSA Mini Pro; and
â€¢ â€œThem That Followâ€ DIT Nick Giomuso used Davinci Resolve Studio, DeckLink Mini Monitor, Smart Videohub 20x20 and SmartScope 4K.
Some of the Sundance Projects that Used Fusion and DaVinci Resolve for VFX:
â€¢ â€œ4 Feet: Blind Dateâ€ Animator Martin Lopez Funes of Malditomaus and his team used Fusion for the filmâ€™s VFX;
â€¢ â€œLuceâ€ VFX Supervisor Lucien Harriot of Mechanism Digital used Fusion Studio for the filmâ€™s VFX; and
â€¢ â€œThe Mountainâ€ VFX Supervisor Alex Noble of Wild Union Post used DaVinci Resolve within his VFX pipeline.
Some of the Sundance Projects that Used DaVinci Resolve and DaVinci Resolve Studio for Post Production:
â€¢ â€œAmerican Factoryâ€ was graded by Ken Sirulnick and Steve Pequignot of Glue Editing & Design;
â€¢ â€œAnthropocene: The Human Epochâ€ was conformed by Carlie Macfie, with Technicolorâ€™s Mark Kueper completing the grade for the 3D 360 degree VR portion;
â€¢ â€œAs Told to G/D Thyselfâ€ was graded by Joe Gawler of Harbor Picture Company;
â€¢ â€œBedlamâ€ was graded by Adrian Seery of Harbor Picture Company;
â€¢ â€œBefore You Know Itâ€ was graded by Ben Perez at Gigantic Studios;
â€¢ â€œBig Time Adolescenceâ€ was graded by DP Andrew Huebscher at Local Hero;
â€¢ â€œBirds of Passageâ€ was graded by Sandra Klass;
â€¢ â€œThe Death of Dick Longâ€ was graded by Nat Jencks of Goldcrest Post;
â€¢ â€œThe Dispossessedâ€ was graded by Nat Jencks of Goldcrest Post;
â€¢ â€œDivine Loveâ€ was graded and finished by Daniel DÃ¡vila of KinÃ© ImagÃ©nes, who also used a DeckLink 4K Extreme 12G and a DeckLink SDI 4K for capture and playback, and a Mini Converter SDI to HDMI and a HDLink for converting;
â€¢ â€œEdgecombeâ€ was graded by Pete Quandt;
â€¢ â€œThe Farewellâ€ was graded by Alex Bickel of Color Collective;
â€¢ â€œHoney Boyâ€ was graded by Alex Bickel of Color Collective;
â€¢ â€œImaginary Orderâ€ was graded by Thomas Galyon, who also used a DaVinci Resolve Advanced Panel for grading and a DeckLink 4K Extreme 12G for playback;
â€¢ â€œThe Infiltratorsâ€ was graded by Mark Todd Osborne of MTO Color at Buffalo 8 Post Production;
â€¢ â€œJudy & Punchâ€ was graded by Olivier Fontenay at Soundfirm Sydney;
â€¢ â€œLavenderâ€ was graded by Brandon Roots;
â€¢ â€œLight From Lightâ€ was graded by Neil Anderson of Lucky Post;
â€¢ â€œLove, Antoshaâ€ was graded, conformed and delivered by Aaron Peak of Neon Diesel Finishing;
â€¢ â€œLuceâ€ was graded by Alex Bickel of Color Collective;
â€¢ â€œMaggieâ€ was graded by Nat Jencks of Goldcrest Post;
â€¢ â€œMEMORY - The Origins of Alienâ€ was graded by Dave Krahling of Milkhaus, while Editor Chad Herschberger used an UltraStudio 4K in his editing bay;
â€¢ â€œMidnight Familyâ€ was graded by Phaedra Robledo of Cinema Maquina, who also used an UltraStudio 4K Extreme for capture and playback;
â€¢ â€œMopeâ€ was graded by Alastor Arnold of FotoKem;
â€¢ â€œNative Sonâ€ was online edited and finished by Samuel Gursky of Irving Harvey, and graded by Tim Stipan of Company 3;
â€¢ â€œPrematureâ€ was graded by Kath Raisch of Company 3;
â€¢ â€œThe Ratâ€ was graded by Andrew Francis at Sixteen19;
â€¢ â€œThe Sound of Silenceâ€ was graded by Roman Hankewycz of Harbor Picture Company, while Editor Matthew C. Hart used DaVinci Resolve and an Intensity Shuttle for Thunderbolt within his editing workflow;
â€¢ â€œThem That Followâ€ was graded by Nat Jencks of Goldcrest Post;
â€¢ â€œThis Is Not Berlinâ€ was graded by Lisa Tillinger; and
â€¢ â€œThe Wolf Hourâ€ was graded by Andrew Francis at Sixteen19.
Product photos of URSA Mini Pro, Pocket Cinema Camera, DaVinci Resolve, Fusion, Videohub, SmartView, SmartScope, DeckLink, Mini Converters, Micro Converters, HDLink, UltraStudio, Intensity and all other Blackmagic Design products are available at www.blackmagicdesign.com/media/images
About Blackmagic Design
Blackmagic Design creates the worldâ€™s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Designâ€™s DeckLink capture cards launched a revolution in quality and affordability in post production, while the companyâ€™s Emmyâ„¢ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.
Blackmagic Design today announced that more than 35 films, episodic series and projects at the 2019 Sundance Film Festival were shot and completed using Blackmagic Design products.
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