August 18, 2012, 11:06 AM
"As an editor working with a wide array of footage, you're probably bound to find some stuff come in that was handheld or not stabilized via gyro/steadicam/jib or tripod. The good news is rather than bouncing your footage out to Adobe After Effects and applying the use of a tracker, FCP editors can take advantage of the built-in SmoothCam filter (FCP6/7).
Christopher Peterson, ACE, sits down with Gordon to discuss American Crime Story: Impeachment.
Gordon Burkell sits down with Alex Amick to discuss her work on the Muppets Haunted Mansion.
Cindy Mollo sits down to discuss the editing of Ozark.
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