October 26, 2021, 08:49 AM
While the reaction to David Lowery’s The Green Knight has run the gamut here at The Film Stage, we can all agree on one thing: its use of visual effects is amongst the most impressive of the year, successfully selling this fantastical Arthurian world with a budget that certainly wasn’t on the levels of its superhero-sized summer competition. Thanks to Weta, Outpost, and Maere Studios (run by Nicholas Ashe Bateman, director of this year’s The Wanting Mare), we now have a glimpse behind the ...
Christopher Peterson, ACE, sits down with Gordon to discuss American Crime Story: Impeachment.
Gordon Burkell sits down with Alex Amick to discuss her work on the Muppets Haunted Mansion.
Cindy Mollo sits down to discuss the editing of Ozark.
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