November 3, 2016, 06:20 AM
A look at the hidden power of props, by Rishi Kaneria of the Raging Cinema Blog. At a Q&A I was at once with editor Arthur Schmidt he was asked something along the lines of "How do you choose what to cut out when you have a great actor like Tom Hanks and a great director like Robert Zemeckis?" I'm paraphrasing Arthur's answer. It was something like "when you have a great director, a great actor, great cinematography, costumes, sets, composers, and when basically everyone around you...
Udit Duseja Discusses his Composition and Audio Work on America and All Light Everywhere
Gordon sits down to talk about Don't Look Up with the film's editor Hank Corwin.