March 14, 2018, 06:40 AM
http://www.fcp.co/final-cut-pro/articles/2050-why-...
Tight turnarounds are not new in television, but in feature film production, being able to see a first cut within hours of the end of shooting is nothing but remarkable. Robin Moran explains how Final Cut Pro X gave filmmaker Ismail Basbeth and his team the speed and thus the 'creative room' to perfect his production.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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