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How to Work With Caustics in Redshift

November 26, 2021, 09:07 AM

https://lesterbanks.com/2021/11/how-to-work-with-c...

Theo Daley covers the range of fundamental to advanced caustics using Redshift in Cinema 4D. Check out this new tutorial from You And Me Academy hosted by Emmy-nominated designer Theo Daley that talks about caustics in Redshift

CineMatch for FCP

November 26, 2021, 09:06 AM

https://digitalfilms.wordpress.com/2021/11/25/cine...

Last year FilmConvert, developers of the Nitrate film emulation plug-in, released CineMatch. It’s a camera-matching plug-in designed for multiple platforms – including operating systems and different editing/grading applications. The initial 2020 release worked with DaVinci Resolve and Premiere Pro. Recently FilmConvert added Final Cut Pro support. You can purchase the plug-in for individual hosts or […]

Check Out This Rundown of the UI Changes in 3D Coat 2021

November 26, 2021, 09:06 AM

https://lesterbanks.com/2021/11/check-out-this-run...

The 3DC team covers some of the new UI changes in the latest version. The latest version for 3D Coat has seen significant improvements and updates, the least of which is a UI refresh and

PVC’s Black Friday 2021 best deals: some more bargains

November 26, 2021, 09:06 AM

https://www.provideocoalition.com/pvcs-black-frida...

From the Black Friday sales at Rogue, Nissin, Hedge or Think Tank Photo to the Apple Shopping Event here is a new series of deals for ProVideo Coalition readers to explore. Black Friday, Cyber Monday and all the other excuses to buy new cameras, lenses, accessories, software and many other things are back, as November [...]Read More...

AtomOS 10.71 update marks the next phase for ProRes RAW

November 25, 2021, 08:53 AM

https://www.provideocoalition.com/atomos-10-71-upd...

Atomos announced that a new stage has been reached this month and it marks the start of the next phase in the Atomos quest to bring Apple ProRes RAW video recording to even more filmmakers. Atomos ends November with good news for those aspiring to use ProRes RAW, as the AtomOS 10.71 update for NINJA [...]Read More...

PVC’s Black Friday 2021 best deals: new deals waiting for you

November 25, 2021, 08:53 AM

https://www.provideocoalition.com/pvcs-black-frida...

From the Black Friday sales at Irix, Funleader, Topaz Labs, Tether Tools or MotionVFX to the Final Sale of the Year at Avid, here is a new series of deals for ProVideo Coalition readers to explore. Black Friday, Cyber Monday and all the other excuses to buy new cameras, lenses, accessories, software and many other [...]Read More...

Crossing the 180 with Christie Marchese CEO of Kinema

November 25, 2021, 08:52 AM

https://www.provideocoalition.com/crossing-the-180...

Today on the show I speak with the founder and CEO of Kinema, a company whose mission is to make it fun, easy, and financially rewarding for anyone who wants to screen a movie—from individuals to organizations. One of the things I try to do with this podcast is explore ALL aspects of filmmaking and [...]Read More...

Review: LaCie 1Big Dock SSD Pro

November 25, 2021, 08:52 AM

https://postperspective.com/review-lacie-1big-dock...

By Brady Betzel While the cloud is where a lot of creators store their images and videos, others still want to keep their files local. And for those who are offloading camera footage while on set, this usually requires fast and accurate copying and deletion. So what type of backup plan do you use? Continue reading → November 24, 2021 The post Review: LaCie 1Big Dock SSD Pro appeared first on postPerspective.

Red Notice Behind the FX by Netflix

November 25, 2021, 08:52 AM

https://www.artofvfx.com/red-notice-behind-the-fx-...

Don’t miss this interesting featurette by Netflix about the visual effects work (made by Framestore, Industrial Light & Magic, Crafty Apes, Raynault VFX, BOT VFX, NetFX) explained by VFX Supervisor Richard Hoover on the movie, Red Notice...

Ridley Road VFX Breakdown by Realtime

November 25, 2021, 08:52 AM

https://www.artofvfx.com/ridley-road-vfx-breakdown...

Let’s go back to London in the sixties with the teams of Realtime showing their invisible work on the BBC series, Ridley Road...

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