To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Making of Titanic — On the Set of James Cameron’s Epic

May 23, 2022, 04:49 PM

https://www.studiobinder.com/?p=121891

It is easy to look back at the release of James Cameron’s Titanic and see that all things led to it being a record-breaking cultural phenomenon. The film’s massive budget, insane on-set stories, and unprecedented scale gained mainstream buzz before the film was even released. The result was a film that impacted culture and cinema for decades to come. How was this massive project executed and what hurdles did Cameron face in creating it? Continue reading The Making of Titanic — On the Set ...

Frame.io Brings FiLMiC Pro to the Cloud – Testing the Workflow

May 23, 2022, 04:49 PM

https://www.provideocoalition.com/frame-io-brings-...

It’s not news that Frame.io has been pioneering camera-to-cloud (C2C) workflows. However, one of the newsworthy integrations recently announced was the addition of C2C capabilities for iPhone and Android users with the Filmic Pro camera application. The update already popped up in your Filmic Pro settings if you’ve kept the app current. Frame’s C2C feature [...]Read More... from Frame.io Brings FiLMiC Pro to the Cloud – Testing the Workflow

When is software subscription good, and when is it not so good?

May 23, 2022, 04:49 PM

https://www.redsharknews.com/when-is-software-subs...

Software subscription is a topic that comes up quite often and divides opinion. When does it offer advantages to the user, and when would an outright purchase be more practical?

The history of mixed reality virtual production

May 22, 2022, 04:18 PM

https://www.redsharknews.com/the-history-of-mixed-...

Virtual production has been on everyone’s lips in the film industry for a couple of years now, but like all new technology it didn’t just appear overnight. Let’s trace the incremental steps that brought us to the likes of The Mandalorian and beyond.

40+ Free Plugins and Filters for After Effects

May 22, 2022, 04:18 PM

https://www.premiumbeat.com/blog/30-free-plugins-a...

Build up your post-production library with the best free plugins, scripts, and presets for After Effects! And use them in your next project.

A new era of freedom for filmmakers

May 22, 2022, 04:18 PM

https://www.redsharknews.com/a-new-era-of-freedom-...

Replay: This is not a story about the democratisation of filmmaking. It is about how end to end software-defined channels are removing the old constraints around resolution, frame rate and aspect ratio.

Character Animator: How Do You Do That? Getting Started with Animation! | Adobe Community Meet-up

May 20, 2022, 08:39 AM

https://lappg.com/2022/05/19/character-animator-ho...

Learn how to work faster and level up your content with powerful tools like Adobe Character Animator. In this session, they will explore how to animate your story no matter how long or short so you can unlock creativity and improve efficiency. This virtual event is part of a monthly series — Adobe Video Community … Character Animator: How Do You Do That? Getting Started with Animation! | Adobe Community Meet-up Read More »

Apple responds to the open letter to Tim Cook about Final Cut Pro

May 20, 2022, 08:39 AM

https://www.provideocoalition.com/apple-responds-t...

A couple of weeks ago I was the first to publish An open letter to Tim Cook about Final Cut Pro, signed by editors and post-production pros around the world. This was a letter and petition put together by a group of passionate Final Cut Pro users in hopes that they might persuade the Apple [...]Read More... from Apple responds to the open letter to Tim Cook about Final Cut Pro

Outsider Editorial adds Cam Anderson to roster

May 19, 2022, 08:24 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

TORONTO — Outsider Editorial (https://outsidereditorial.com) has added editor Cam Anderson to its roster. He represents the third addition to the editorial boutique’s roster since it opened in 2018.

A Finishing Editor’s Journey to NAB 2022

May 19, 2022, 08:23 AM

https://postperspective.com/a-finishing-editors-jo...

By Barry Goch I almost didn’t make it to the first NAB in three years! I was on hold for weekend edit sessions for ABC’s A Million Little Things, and it wasn’t looking good. With some NAB events beginning on Saturday and the exhibits opening on Sunday, there was going to be a high degree of difficulty in making this work. Continue reading → May 18, 2022 The post A Finishing Editor’s Journey to NAB 2022 appeared first on postPerspective.

1 2 3 3,217

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.