To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Article
How Sofia Coppola Uses Color in The Virgin Suicide
May 8, 2021, 12:10 PM
https://filmschoolrejects.com/the-virgin-suicides-...
In our Color Code series, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his sixth entry, he digs into Sofia Coppola’s The Virgin Suicides.
Flora Ulysses Nicolas Chevallier VFX Superv
May 5, 2021, 09:14 AM
https://www.artofvfx.com/flora-ulysses-nicolas-che...
Back in 2018, Nicolas Chevallier explained Framestore‘s work on Fantastic Beasts: The Crimes of Grindelwald. He then worked on Timmy Failure: Mistakes Were Made. Today he tells us about his work to bring to life a super cute squirrel!
Becoming a Freelance Colorist Interview with A
May 5, 2021, 09:14 AM
https://www.cined.com/becoming-a-freelance-coloris...
Ana Izquierdo was a Senior Colorist at DFacto-Motion, before going freelance in 2018. Read on to learn more about her career.
Color Grading "The Pink Cloud"
February 16, 2021, 05:04 PM
https://www.aotg.com/color-grading-the-pink-cloud/
By Daniel Dode, Colorist and Lead Post Production Supervisor, Post Frontier – Brazil
#blackmagic design#sundance#davinci resolve studio3 Tips to Color Grading Cinematic Images
February 8, 2021, 05:12 PM
https://nofilmschool.com/3-tips-color-grading-cine...
In my decade-long career as a colorist, I’ve worked on every imaginable type of content: short-form, long-form, advertising, non-fiction, episodic—you name it. And while each of these formats requires its own approach, one constant which spans all of them is the client’s desire for a cinematic look.
Why Most Movies are Shot with Two Dominant Colors
January 20, 2021, 01:32 PM
https://filmschoolrejects.com/why-movies-are-shot-...
You can date a film based on its use of black and white film stock. You can date a film based on its use of Technicolor. And mark my words, orange and teal contrast is going to be inseparable from the early 21st century.
December 30, 2020, 03:08 PM
https://filmschoolrejects.com/carol-todd-haynes-co...
In our Color Code column, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his fifth entry, he digs into Todd Haynes’ Carol.
A Color Theory Reading of Olivier Assayas' 'Irma V
August 20, 2020, 01:21 PM
https://filmschoolrejects.com/irma-vep-color-theor...
In our new column Color Code, Luke Hicks chooses a handful of shots from a favorite film and analyzes them in detail to draw out the meaning behind specific colors and how they play into their scene and the film as a whole. Inspecting color is like inspecting the soul of a film. It’s an endless endeavor to better understand the artists’ intentions and our connection to the work. For his second entry, Luke digs into Olivier Assayas’ Irma Vep.
Remote Production with Hostage Films
August 12, 2020, 03:50 PM
https://www.aotg.com/remote-production-with-hostage-films/
When developing a digital and social spot for Candleosophy meditation candles, director Ruben Latre was faced with a new challenge, one he had not yet encountered during his 20 year career: due to COVID-19 social distancing and stay-at-home requirements, Ruben was tasked with producing the commercial from start to finish in his home in New York City.
#blackmagic design#ultrastudio 4k#davinci resolve studio#micro cinema cameraCreating PSAs ASAP for Magellan Healthcare
July 21, 2020, 07:57 PM
https://www.aotg.com/creating-psas-asap-for-magellan-healthcare/
Magellan Healthcare teams up with Sugar Skull Creative and Director/DP Adam Goldfine to quickly create content to aid with COVID-19 awareness
#blackmagic design#davinci resolve studio#ursa mini pro#blackmagic raw
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Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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