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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Catch-22's Composers Speak

June 6, 2019, 08:34 AM

https://www.hollywoodreporter.com/behind-screen/ca...

Composers Harry Gregson-Williams and Rupert Gregson-Williams are featured in a new episode of The Hollywood Reporter's Behind the Screen podcast series.

Composer Herdis Stefansdottir

June 4, 2019, 06:45 AM

https://www.premiumbeat.com/blog/interview-film-co...

We sat down with international composer Herdís Stefánsdóttir for some insight into her influences, working process, and creative world.

The Sound Of Blubber

June 1, 2019, 10:14 AM

https://randythomblog.wordpress.com/2019/06/01/the...

Creating the sound of flab in motion is a challenge we in sound design encounter fairly often, most frequently in animation. We see an obese character move.

Chernobyl

May 30, 2019, 06:05 AM

https://randythomblog.wordpress.com/2019/05/30/che...

Great praise to the makers of the television series Chernobyl for incorporating sound so strongly and subtly into your story...

The incredible sound of ‘Avengers: Endgame’:

May 8, 2019, 06:12 AM

https://www.asoundeffect.com/avengers-endgame-soun...

Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound - including the audio team's tactics for creating sounds that match the scale of what’s on-screen, how they kept the epic battles from becoming a chaotic mess, working with (and recreating) unique superhero signature sounds & much more:

#sound design#marvel#film sound#avengers endgame
The Universal Language of Music

May 3, 2019, 12:09 PM

https://www.premiumbeat.com/blog/industry-insights...

Composer Jacob Yoffee grew up traveling the globe, but it’s the universal language of music that keeps him grounded and connected.

Coppola's "The Conversation" is a masterclass in s

May 2, 2019, 06:58 AM

https://www.redsharknews.com/production/item/6331-...

The Conversation (1974) belongs to the 1970s genre of conspiracy films, typified by Alan J Pakula's Klute (1971) and All the President's Men (1976). It is also part of a smaller category together with Blow Out (1981), The Lives of Others (2006) and Berberian Sound Studio (2012), in which sound plays a major role in driving the plot as well as its usual role of creating atmosphere and drama. Kevin Hilton delves into a murky world in which what you hear is not always clear.

Creating a signature sound for Star trek season 2

April 26, 2019, 06:22 AM

https://www.asoundeffect.com/star-trek-discovery-s...

The full, thrilling 2nd season of Star Trek: Discovery is now available on CBS All Access and Netflix around the world, and this exclusive interview with supervising sound editor Matthew Taylor and lead sound designer Tim Farrell gives you the in-depth story behind its signature sci-fi soundscape.

Schwartz on Veep, The Good Place and Arrested Deve

April 23, 2019, 06:15 AM

https://www.premiumbeat.com/blog/interview-compose...

There is a playful exuberance to composer David Schwartz‘s work. PremiumBeat sat down with the man behind Arrested Development, Veep, and the The Good Place to talk about edgy, smart comedy — and why it’s important to score what’s not on the screen.

How To Set Up Side Chain Compression In Pro Tools

April 17, 2019, 06:22 AM

https://www.pro-tools-expert.com/home-page/2019/04...

In a new format we are producing videos offering tips and solutions to common problems in under a minute. In this free video tutorial we show you how easy it is to set up side chain compression in Pro Tools.

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