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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

1917's Prosthetics Designer on the Grisly Dramw

January 27, 2020, 08:32 PM

https://www.motionpictures.org/2020/01/how-1917s-o...

World War I epic 1917 conveys the carnage of combat with uncommon grit. Informed by writer-director Sam Mendes‘ heartfelt story and his gifted design team, the film, nominated for 10 Academy Awards including best picture, immerses viewers in a “No Man’s Land” littered with dead animals, rotting corpses and dying soldiers. Prosthetics designer Tristan Versluis, Oscar-nominated with makeup designer Naomi Domme, did most of the heavy lifting when it came to blood, guts, and gore.

Sheena Duggal on 'Contact's' memorable mirror mome

January 23, 2020, 07:49 PM

https://beforesandafters.com/2020/01/24/sheena-dug...

At the VES Awards in Los Angeles in late January, one of those to be honored at the event will be visual effects supervisor Sheena Duggal.

TERMINATOR - DARK FATE: Jeff White, David Seager,

January 23, 2020, 07:49 PM

https://www.artofvfx.com/terminator-dark-fate-jeff...

David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN.

Automated character FX on 'Peter Rabbit'

January 23, 2020, 07:48 PM

https://beforesandafters.com/2020/01/24/automated-...

This SideFX interview with Animal Logic’s Adam Katz details how the studio built and automated their Character FX pipeline for Peter Rabbit, including where Houdini Digital Assets came into play.

1917's VFX Supervisor on Creating Immersion

January 23, 2020, 07:48 PM

https://www.motionpictures.org/2020/01/1917s-oscar...

“I think what’s really kind of interesting is all the movies this year are using visual effects for widely different reasons,” notes 1917’s Oscar and VES-nominated visual effects supervisor, Guillaume Rocheron. And in an Academy FX slate that ranges from Avengers: Endgame to The Irishman, he has a point.

Looking Ahead: Next-Gen of VFX Collaboration

January 23, 2020, 02:00 PM

http://www.cgw.com/Press-Center/Web-Exclusives/202...

There’s no denying both the volume and production standards of film, TV and streaming have reached an all-time high. In 2018, 10 out of the 10 highest grossing films in the US were either visual effects (VFX) movies or computer-animated films. And from 2011 to 2018, the episodic TV industry experienced an 85 percent increase — many of those series relying heavily on VFX.

More of the social (VFX) lives of Hollywood

January 21, 2020, 02:27 PM

https://beforesandafters.com/2020/01/21/more-of-th...

Back in 2017, I collected a whole bunch of social media postings from actors, directors and filmmakers where they had published pics of themselves or others doing various VFX-related things like being 3D scanned, wearing mocap gear or appearing on greenscreens.

A different kind of event is coming

January 20, 2020, 01:53 PM

https://beforesandafters.com/2020/01/20/a-differen...

It’s pretty clear that real-time and game engine technologies have been changing a lot of things in VFX and animation lately, but they’re also big influencers in so many other areas.

VIKINGS "What Happens in the Cave"

January 16, 2020, 07:27 PM

https://www.artofvfx.com/vikings-what-happens-in-t...

Mr. X have released the VFX Breakdown about their work on « What Happens in the Cave » from the Season 5 of VIKINGS...

LOST IN SPACE – Season 2: Jabbar Raisani (Overal

January 16, 2020, 07:26 PM

https://www.artofvfx.com/lost-in-space-season-2-ja...

Jabbar Raisani has been working in visual effects for over 17 years. He has worked on projects such as FANTASTIC FOUR, PREDATORS, MACHETE and GAME OF THRONES.

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