It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 20, 2020, 04:39 PM
http://clinttill.net/blog/what-eye-line-says-about...
When setting up to shoot an interview for your video project, how do you decide where your subject’s eye line should be? I’m sure a majority of interviews you’ve seen feature subjects looking slightly off camera. Still, there are others that feature subjects looking directly into the lens.
July 20, 2020, 01:22 PM
https://www.screeneditors.com.au/edit-suite-audio/
Learn some audio tips and tricks in your editing software. Wednesday July 29, 7pm AEST RSVP via: office@screeneditors.com.au
July 18, 2020, 04:02 PM
https://beforesandafters.com/2020/07/18/miniaturiz...
Films such as Fantastic Voyage, Inner Space, Willow, Honey, I Shrunk the Kids, Hook, The Indian in the Cupboard and Ant-Man are all ones that have used different visual effects techniques to go small. These techniques have ranged from forced perspective, over-sized sets, shooting on blue or greenscreen and of course digital means.
July 17, 2020, 01:05 PM
https://www.indiewire.com/feature/oscars-2021-earl...
This awards season, Pixar gets back to original storytelling with its first Black-led feature, “Soul” (November 20). Sony returns with “Connected” (October 23), another stylistic experiment from Oscar-winning producers Phil Lord and Chris Miller (“Spider-Man: Into the Spider-Verse”). Two-time Oscar nominee Tomm Moore tackles his third Irish folktale about saving the balance of nature with Cartoon Saloon’s “Wolfwalkers” (fall). And, with fall entry “Over the Moon,” a gorgeou...
July 13, 2020, 12:04 PM
https://www.screeneditors.com.au/audio-description...
Has your television suddenly started talking to you, telling you the bleeding obvious? On 28 June, the ABC and SBS officially started providing audio description (AD) on their broadcast channels after over 20 years of campaigning by the blind and low vision community. AD is an extra narration that describes visual information that's missing from the […]
July 10, 2020, 02:50 PM
https://www.asoundeffect.com/stranger-things-seaso...
Get the in-depth story behind the sound of Stranger Things season 3, in this huge interview with sound supervisor/designer Craig Henighan and re-recording mixers Will Files and Mark Paterson - with a particular focus on the sound in the 'Battle of Starcourt' episode:
#stranger things season 3#stranger things 3 sound#stranger things sound designJuly 10, 2020, 01:11 PM
http://www.btlnews.com/awards/for-your-considerati...
Mrs. America is an FX original limited series created by Dahvi Waller and tells the story of the movement known as the Equal Rights Amendment (ERA) in the 1970s with an unexpected opposition from conservative activist Phyllis Schlafly (Cate Blanchett). The series depicts the major ERA players with a star-studded cast in Gloria Steinem (Rose Byrne), Shirley Chisholm (Uzo Aduba), Jill Ruckelshaus (Elizabeth Banks), Betty Friedan (Tracey Ullman), Bella Abzug (Margo Martindale), Brenda Feigen-Fastea...
July 10, 2020, 01:11 PM
https://sonicscoop.com/2020/07/09/how-to-avoid-aud...
Snake oil. It exists in the world of audio. Oh boy does it ever. But so do small changes that can make a real difference.
July 6, 2020, 01:26 PM
https://www.flickeringmyth.com/2020/07/exclusive-i...
Palm Springs is a romantic comedy sci-fi wedding movie that Premiered at Sundance in January and touched off a bidding war that ultimately broke the record for highest sale out of the Festival. The previous record was 17.5M, Hulu and Neon bought it for $17,500,000.69. The film and sale were extensively covered in the industry trades. The film stars Andy Samberg, Cristin Milioti, and J.K. Simmons. It was produced by Andy Samberg and the Lonely Island Crew. It currently holds a 100% fresh rating o...
July 5, 2020, 04:58 PM
https://www.provideocoalition.com/milly-iatrou-tal...
The virus has infected and impacted every business and worker in one way or another. Hollywood at large is caught in the conundrum of the demand for new content and still somehow adhering to the new rules for social distancing and contactless collaboration. Of course, in show business, the old motto – the show must [...]Read More...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.