It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 10, 2020, 05:08 PM
https://www.artofvfx.com/oscars-2020-the-vfx-winne...
The Academy have announced last night the winners for the Oscars 2020!
February 10, 2020, 01:34 PM
https://deadline.com/2020/02/joker-composer-hildur...
Icelandic composer and cellist Hildur Guðnadóttir won the Oscar on Sunday night for her evocative Original Score for Todd Phillips’ Joker, becoming the first solo female to win the honor and capping a historic trophy-season spree in which she also won a Grammy, an Emmy, a Golden Globe and a BAFTA Award in a span of less than five months.
February 10, 2020, 01:33 PM
https://beforesandafters.com/2020/02/10/1917-wins-...
The film recognized with the Best Visual Effects Oscar at the 92nd Academy Awards was 1917, awarded to visual effects supervisors Guillaume Rocheron and Greg Butler, and special effects supervisor Dominic Tuohy.
February 10, 2020, 01:33 PM
https://deadline.com/2020/02/ford-v-ferrari-wins-o...
Ford v Ferrari racked up its second Oscar tonight by triumphing in the Film Editing field, with editors Michael McCusker and Andrew Buckland both celebrating a debut win.
February 10, 2020, 01:33 PM
https://www.kalw.org/post/who-needs-high-tech-film...
The technical wonder of a movie, 1917, could win up to 10 Oscars on Sunday. Filmed to look like a single shot, its view is glued upon two soldiers racing behind enemy lines during the ravages of World War I. This is the second time in recent years that a one-shot film swept up Oscar nominations. Birdman won Best Picture, Best Director and Best Cinematography in 2015.
February 10, 2020, 01:32 PM
https://www.slashfilm.com/the-morning-watch-2020-o...
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
February 8, 2020, 05:48 PM
https://beforesandafters.com/2020/02/08/a-decade-o...
What a stunning decade it has been in visual effects.
February 6, 2020, 07:44 PM
https://www.artofvfx.com/underwater-axel-bonami-vf...
In 2017, Axel Bonami explained the work of MPC on GHOST IN THE SHELL. Today he takes us to the bottom of the oceans to talk about UNDERWATER.
February 6, 2020, 02:20 PM
https://cinefex.com/blog/spotlight-simon-carr/
To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.
February 5, 2020, 04:44 PM
https://www.nme.com/news/film/joker-steps-scene-ga...
The editor of superhero origin story Joker has explained why 1982 Gary Glitter track ‘Rock and Roll Part 2’ was used during the film.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.