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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Frame of Mind: To Blend Real and CG FX, The Osiris

October 17, 2017, 12:39 PM

https://www.moviemaker.com/archives/series/frame-o...

Does it lie in the carefully executed plans of a film’s cast and crew? Or does the magic rest upon fortuitous mistakes, spontaneity and improvisation? What steps must be taken to convey your vision and intent? Watch our video series, Frame of Mind, to get answers to these questions and more from commentators working in a wide variety of areas in production who’ll guide you through clips from their films, in their own words. Moviemakers and film fans: Grab your notepads, popcorn, or both, and...

The VFX Magic Behind Spiderman Homecoming

October 17, 2017, 12:39 PM

https://www.wheretowatch.com/2017/10/vfx-magic-beh...

Spider-Man: Homecoming star Tom Holland trained tirelessly to do as many of his own stunts as possible, but some of them were just too epic to do live. In stepped the team at Imageworks VFX, who just released an incredible video giving us a glimpse at the film’s incredible CGI.

Why Toronto Has Become Hollywood's Go-To Source fo

September 15, 2017, 04:06 AM

http://www.hollywoodreporter.com/news/why-toronto-...

When audiences inevitably marvel at the computer-generated worlds in Guillermo del Toro's The Shape of Water and the Angelina Jolie-produced animated drama The Breadwinner, both screening at this year's Toronto Film Festival, it will be thanks in large part to Ontario's thriving visual effects community.

The 70 Most Influential VFX Movies: Sci-Fi Rules

September 12, 2017, 09:15 AM

http://deadline.com/2017/09/most-influential-visua...

It’s been 10 years since members of the Visual Effects Society voted on the 50 most influential VFX movies of all time. A decade later, the industry’s professional honorary society is marking its 20th year with an expanded list of 70 movies spanning more than a century.

London-based VFX house Lexhag Creates Title Sequen

September 5, 2017, 12:07 PM

https://www.productionhub.com/blog/post/london-bas...

In our exclusive Q&A with Visual Effects Director Alexis Haggar, of London-based VFX house Lexhag, he talks about his work regarding the main title sequence for “Riviera,” Sky Atlantic’s new 10 part drama series starring Julia Stiles as the wife of a billionaire who uncovers the dark truth behind her opulent lifestyle.

Kong Skull Island VFX Team Secrets

August 28, 2017, 04:18 PM

https://www.wheretowatch.com/2017/08/kong-skull-is...

Seeing our favorite monsters come to life on screen gets more incredible each year as technology makes them bigger, scarier, and more realistic. King Kong is one of the most sympathetic monsters to stomp onto movie screens since Frankenstein. Sometimes enemy, other times hero, Kong often displays human emotions and can be both fearsome and gentle. The overgrown gorilla has evolved through many iterations since his original 1933 appearance. The visual effects masters that developed Kong for Skull...

After Effects for Editors Part 5

August 10, 2017, 06:27 AM

http://jonnyelwyn.co.uk/film-and-video-editing/aft...

Improve your After Effects compositing skills with this round up of useful tutorials as well as discover some of the best Cinema 4D training sites to improve your 3D skills too!

#after effects#compositing#cinema 4d
Brickyard VFX Welcomes Benji Davidson

August 9, 2017, 04:43 AM

https://www.awn.com/news/brickyard-vfx-welcomes-be...

LOS ANGELES -- Brickyard VFX Santa Monica studios has announced the addition of Benji Davidson as VFX Supervisor. Davidson’s world-class creative experience includes live action directing, creative directing and VFX supervision and he is known for bringing imaginative concepts to life, from storyboard to visual delivery. Davidson joins Brickyard from MPC, where he served as VFX Supervisor since 2008.

Star Wars animator took LSD during production

August 4, 2017, 09:20 AM

http://www.independent.co.uk/arts-entertainment/fi...

'I crawled into this cupboard with Brian the cat and we went to the centre of the Earth for like three billion years'

TRANSFORMERS - THE LAST KNIGHT: Sheldon Stopsack

August 1, 2017, 09:33 AM

http://www.artofvfx.com/transformers-the-last-knig...

In 2015, Sheldon Stopsack explained to us about the work of MPC on TERMINATOR GENISYS and then he worked on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES. Today, he talks about his first collaboration with director Michael Bay for TRANSFORMERS: THE LAST KNIGHT.

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