It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 1, 2017, 05:53 PM
https://www.inverse.com/article/28410-king-kong-vi...
owadays, when we see giant creatures stomping across our screens, it goes without saying that there’s some nifty computer graphics behind the action. And that’s certainly the case in Jordan Vogt-Roberts’ Kong: Skull Island, which features incredible visual effects from Industrial Light & Magic.
February 18, 2017, 04:42 PM
http://deadline.com/2017/02/doctor-strange-oscars-...
Oscar nominated for their labors on Marvel’s Doctor Strange, visual effects supervisors Stephane Ceretti and Richard Bluff are emblematic of the magic their craft can bring to big screen endeavors. Injecting magic into the Marvel Cinematic Universe with the Benedict Cumberbatch-starring film, the pair had an important part to play in the future of the studio, creating the looks for several mystical dimensions that may appear in future Marvel movies.
February 17, 2017, 07:11 PM
http://www.awn.com/vfxworld/integrating-vfx-and-st...
As part of AWN's Professional Spotlight Series recorded during VIEW 2016, the Oscar-nominated VFX supervisor talks about a decade of filmmaking innovation and advancement at LAIKA.
February 16, 2017, 01:15 PM
http://clinttill.net/blog/2017/2/15/improve-after-...
If you do any compositing work in After Effects, you know how important it is to manage your project to ensure that the application continues to run at peak performance. After Effects definitely uses a lot of computer resources, and before you know it, the complexity of compositions, the number of applied effects, and the sheer volume of assets will start to slow down the software.
February 7, 2017, 10:48 AM
http://www.artofvfx.com/best-of-2016-and-the-expec...
This month of February marks a new year for The Art of VFX and is also the Awards season.
February 5, 2017, 06:29 AM
http://nofilmschool.com/2017/02/hidden-vfx-tricks-...
We all love big, fancy visual effects, but sometimes all you need is something small and subtle, like changing the color of a prop that sticks out like a sore thumb. In this video, the team over at Film Riot shows you how to pull off 3 "hidden" VFX that can repair and enhance scenes that are giving you some trouble.
February 3, 2017, 01:22 PM
http://www.hollywoodreporter.com/behind-screen/ori...
Ken Ralston — this year's Visual Effects Society Lifetime Achievement Award honoree — boasts a résumé that includes some of the most influential films in the history of the VFX industry. At 63, he has five Academy Awards, including a special achievement Oscar for Star Wars: Episode VI — Return of the Jedi and visual effects Oscars for his work on Forrest Gump, Death Becomes Her, Who Framed Roger Rabbit and Cocoon. He's an alum of Industrial Light + Magic, where his additional credits inc...
January 26, 2017, 06:12 PM
https://photography.tutsplus.com/articles/21-scrip...
Like actions in Photoshop or plugins in Lightroom, scripts in Adobe After Effects add extra functionality and enhancements. These enhancements range from little things, like better note-taking, to big things, like help managing layers and keyframes in large compositions. Whatever you choose, using scripts in Adobe After Effects will greatly speed up your work and generally make life easier.
January 25, 2017, 10:29 AM
http://www.artofvfx.com/xxx-the-return-of-xander-c...
In 2013, Bjoern Mayer explained to us the work of Pixomondo on OBLIVION. He then took care of the effects of projects such as THE HUNGER GAMES: MOCKINGJAY PART 1, MARCO POLO, TRUE DETECTIVE and THE SHANNARA CHRONICLES.
January 24, 2017, 08:30 PM
https://vfxblog.com/2017/01/25/what-a-list-of-arti...
And all the names behind the VFX work in those films. Congrats to all the nominees.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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