It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 29, 2020, 01:06 PM
https://filmschoolrejects.com/michael-mann-cool-co...
Michael Mann is the kind of director who holds complete films in his head before he begins making them. He is a rare breed of an auteur who has everything to do with everything. In the scope of his filmography, his producing and screenwriting are no less significant than his directing. He ceaselessly communicates the blueprint he envisions for each department — hyper-specific costuming, makeup, background direction, prop placement, blocking, lighting, shooting, production design, et al.
April 7, 2020, 02:11 PM
https://www.creativebloq.com/features/colour-gradi...
Colour grading is the unsung hero of content creation, from still imagery to cinema, find out how you can become a colour grading master.
February 21, 2020, 01:42 PM
http://www.postmagazine.com/Press-Center/Daily-New...
RANCHO MIRAGE, CA — Colorfront (www.colorfront.com), the developer of high-performance dailies and transcoding systems, is showcasing the abilities of its products to enable color-consistent 4K/6K/8K SDR/HDR acquisition-to-post workflows during the 2020 HPA Tech Retreat, taking place this week. The company also participated in the cloud-based, live production of The Lost Lederhosen short film, and shared details of its role in the making of this mini-movie during the Retreat’s “HPA M...
February 17, 2020, 04:08 PM
https://www.provideocoalition.com/using-luts-and-p...
When working as a one-man band, you often need to take on all aspects of a production – this includes colour grading. Grading can be an especially time-consuming process. When building a look from scratch—and when you have a tight deadline to meet—you need a way to get your footage looking great as efficiently as possible, without skimping out and settling for a video that looks subpar in the colour department.
February 14, 2020, 01:39 PM
https://www.pro-tools-expert.com/home-page/2020/2/...
Avid has announced that the EUCON 2020.1 software update is now available for download, designed to bring improvements and fixes to the Avid S1 and Avid Control app, as well as bug fixes for other surfaces like the S3, S4, S6 and the Dock.
January 30, 2020, 02:03 PM
https://www.sgo.es/mwf-upgraded-open-beta/
SGO has released an upgraded Open Beta of its first media management, transcoding and delivery application Mistika Workflows. This latest version introduces a brand new and user-friendly License Activation Tool together with other additional nodes, features and stability improvements throughout the software. The totally revised License Activation Tool brings to its users straightforward license management [...]
January 23, 2020, 02:00 PM
https://www.cinema5d.com/pro-color-monitor-false-c...
Pro Color Monitor is a Mac app designed to analyze footage, and that acts as a monitor false color tool for post-production. Let’s take a closer look at this one of its kind tool to see how it can help you white balancing your footage easily!
January 16, 2020, 07:27 PM
https://www.redsharknews.com/post/item/6919-can-yo...
The democratisation of technology continues unabated, and one area in which this is becoming most noticeable is when it comes to affordable colour accurate monitors. Last year we interviewed colourist Andrea Vassalini about how he uses the Asus ProArt monitors, and how he thinks they empower producers on lower budgets.
January 14, 2020, 08:09 PM
https://www.themill.com/stories/colouring-for-the-...
Mill New York Colourist Damien Van Der Cruyssen is no stranger to the world of feature film. Having pioneered The Mill’s DI efforts, Van Der Cruyssen is The Mill’s Director of DI and go-to colourist for a number of celebrated cinematographers and filmmakers when it comes to bringing their vision to life on the big screen.
December 10, 2019, 08:23 PM
https://www.provideocoalition.com/color-finale-2-f...
The highly popular macOS-only colour grading plug-in for Final Cut Pro X (FCPX) from UK company ColorTrix, has been superseded by Color Finale 2 and Color Finale 2 Pro.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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