It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 11, 2019, 07:13 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Tony Dustin has joined the Deluxe Post Production (www.bydeluxe.com) creative team as senior colorist, working from the Efilm and Encore post facilities in Hollywood. He brings more than 20 years of experience in color grading and a credit list that includes work on the Netflix dramatic series Sense8, the Hulu horror series Castle Rock, the Best Picture Academy Award nominee Silver Linings Playbook and Clint Eastwood’s Gran Torino.
April 16, 2019, 09:14 AM
https://jeffvlog.wordpress.com/2019/04/16/free-cin...
Inspired from such Hollywood Films as Drive, Max Max: Fury Road and Moonrise Kingdom after getting your film to a good base correction you can easily apply these film looks to your project to give it a big budget look.
April 15, 2019, 06:29 AM
https://www.premiumbeat.com/blog/alter-video-color...
In this tutorial, I explore Premiere’s updated Lumetri curves — and how you can adjust, alter, and enhance the colors in your scene to boost your production value.
April 1, 2019, 10:49 AM
https://www.digitaltrends.com/home-theater/thx-ult...
Thanks to larger-than-life superhero movies from Marvel and DC and visual sci-fi feasts like Gravity, large-format movie experiences are seeing a strong surge in popularity. The leading brand for monster screen sizes is IMAX, with more than 1,500 theaters using the Canadian company’s display technologies. But it’s about to get some big competition from THX, perhaps the best-known technical movie brand in the world. On March 28, the company announced that its first THX Ultimate Cinema will be...
March 30, 2019, 07:15 AM
https://photography.tutsplus.com/tutorials/3-top-l...
In this round-up, we'll review three of my favorite packs for adding color styles to your Premiere footage. All of these are available as a part of the flat rate subscription to Envato Elements and can transform your flat footage into an eye-catching film.
March 15, 2019, 10:48 AM
https://www.rocketstock.com/blog/fix-misty-shots-r...
While preparation in filmmaking is critical, there are some circumstances—predominantly in documentary filmmaking— where you can only hit record and hope for the best. At the time of writing this, the UK is currently getting battered by storms. And although we’re not unfamiliar to a grey sky, the winds are packing a harsher punch than usual. Perfect for capturing library assets of subjects and moments that you can’t obtain on an ordinary day.
March 15, 2019, 06:15 AM
https://www.redsharknews.com/production/item/6212-...
Claiming that inaccuracy doesn't matter is a quick way to have people leaping for the comments section in a fit of foam-flecked rage. Let's think about this as an issue of balance, though: we've spent thousands of words describing the various ways that colour can trip people up. We've been more than clear that consistent colour between lights is crucial in any world where we want the key and fill to be the same shade of daylight, and the same issue applies if we have two monitors in a room. It t...
March 11, 2019, 03:15 PM
https://jonnyelwyn.co.uk/film-and-video-editing/da...
DaVinci Resolve Tools and Productivity Hacks Productivity tips and tutorials 15% discount code for Nobe Color Remap Pixel Tools PowerGrades review and 20% off discount code Download 800 Stream Deck icons for DaVinci Resolve Meta Fide tools for setting up complex projects FUgraph beta for advanced Resolve/Fusion users
#plugins#davinci resolve#tools#powergrades#discount codesMarch 4, 2019, 09:13 AM
https://www.aotg.com/behind-the-scenes-on-pretty-broken/
DP Michael Ferry shoots with a Blackmagic URSA Mini 4.6K while Colorist Mark Todd Osborne used DaVinci Resolve Studio in post,
#blackmagic design#davinci resolve studio#ursa miniFebruary 19, 2019, 04:41 AM
https://jonnyelwyn.co.uk/film-and-video-editing/le...
Get a proper education on rotoscoping, tracking, shot fixes, 3D particles, motion graphics and much more in this review of 4 major online training providers including Mixing Light, Lowe Post, Ripple Training and FXPHD. Plus FREE resources to learn more about DaVinci Resolve and Fusion!
#editing#davinci resolve#finishing#fusion#colour grading
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.