It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 9, 2017, 08:04 AM
http://jonnyelwyn.co.uk/film-and-video-editing/edi...
Find out what it takes to cut a fast-paced action thriller like John Wick Chapter 2 in this in-depth interview with Editor Evan Schiff.
#editing action film#editing john wick chapter 2#editor evan schiffJanuary 28, 2017, 01:42 PM
https://fstoppers.com/news/adobe-creative-suite-de...
Do you remember Adobe's Creative Suite or CS? Yes, it was that family of Adobe applications that served creatives well for quite a long time. We used to buy perpetual licenses for applications from the Creative Suite, which felt like you really owned something. You paid and it was yours. Well, Adobe says you can't do that anymore.
January 23, 2017, 06:09 PM
http://www.observer-reporter.com/20170123/schoonma...
The legendary editor is sitting in the Midtown Manhattan office where she cut Scorsese’s latest, his deeply felt spiritual epic about Jesuit priests in feudal Japan. Schoonmaker sits in between her monitors and those for Scorsese, added about a year ago so he could sit even closer to Schoonmaker while they worked. It makes for a jumble of screens, especially when the one devoted to Turner Classic movies is factored in. “This used to be quite a beautiful room,” Schoonmaker says with only mi...
January 19, 2017, 01:21 PM
http://jonnyelwyn.co.uk/film-and-video-editing/the...
For an in-depth look at the editing of Arrival by Joe Walker, check out this round up of the best audio, video and text based interviews, plus some VFX breakdowns for good measure!
#editing#vfx#joe walker#arrivalJanuary 12, 2017, 02:36 AM
http://jonnyelwyn.co.uk/podcast/building-a-micro-h...
I was so impressed by a friend's home VO booth build I wrote it up into a post. There are some really great ideas to make the most of a tiny space!
#home vo studio#home recording booth#micro vo studio#home voice over recording booth#budget voice over boothJanuary 6, 2017, 01:17 PM
http://www.volkskrant.nl/film/van-muf-montagehok-n...
ARTIKELVolgende week gaat de western Brimstone in première. Gemonteerd door Job ter Burg. Aan Rob van Scheers legt hij uit hoe zijn werk een film kan maken en breken.
January 5, 2017, 04:22 PM
http://deadline.com/2017/01/arrival-joe-walker-den...
This time last year, while on the press circuit for Denis Villeneuve’s Sicario, Oscar-nominated editor Joe Walker had one project to remain tight-lipped about, with the director’s follow-up feature, the unusual and elegant sci-fi pic Arrival; and now, with the conclusion of production on Blade Runner 2049 in Budapest, he has another.
January 5, 2017, 03:51 PM
http://jonnyelwyn.co.uk/film-and-video-editing/aft...
Take a deep dive into the world of Cinema 4D Lite, which ships with every version of After Effects and add some 3D magic to you next project. Plus a tour of the cool new features in R18
#after effects#tutorials#free training#cinema 4d#cinema 4d liteJanuary 4, 2017, 11:00 AM
https://www.wheretowatch.com/2017/01/moonlights-ed...
Nominated for six Golden Globes, the stunningly beautiful, brilliantly executed Moonlight was one of 2016's best films. We've spoken to composer Nicholas Brittell, breakout star Janelle Monáe and cinematographer James Laxton about how they helped bring director Barry Jenkins film to life. The story, tracking three periods of time in one young man's life—as a child, a teenager and a grown man—was based on the play by Tarell Alvin McCraney called "In Moonlight Black Boys Like Blue."
January 3, 2017, 08:42 AM
http://satprnews.com/2017/01/03/maury-shessel-l-a-...
Award-winning film editor and Emmy recipient, Maury Shessel, knows how to combine the artistic and technical elements of film editing. During a recent Q&A, he shared his experiences, accomplishments, and opinions.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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