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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How the 'Avengers: Endgame' Editor Created the End

October 29, 2019, 12:59 PM

https://nofilmschool.com/Jeff-Ford-Avengers-Endgam...

Earlier in the year, we learned that an editor came up with the idea to have Tony stark say "I am Iron Man" at the end of Avengers: Endgame. That editor was Jeff Ford, and he's responsible for shaping a ton of the best moments in the Marvel universe.

Filmmaking Lessons from the Making of the Sci-Fi H

October 28, 2019, 01:03 PM

https://www.premiumbeat.com/blog/filmmaking-lesson...

In some ways, things are odd for filmmakers who came of age around the turn of the millennium. Not only do we now have a whole new treasure trove of digital cameras, gear, and resources available to us, but we also have a solid century of cinema history to study.

Hawaii Colorist Summit 2019

October 28, 2019, 01:03 PM

https://icolorist.com/2019/10/28/hawaii-colorist-s...

The second ICA Colorist Summit took place in Waikiki during October. The Summit mission is to go to places not normally on the ICA roster. In 2017 we were in Bali and received great support from locals and international students. Hawaii was no different. We had guests visiting from London, Amsterdam, Taipei and LA mixing with local Hawaiians.

The Ritual Involved in the VFX for The Irishman

October 27, 2019, 01:28 PM

https://filmschoolrejects.com/martin-scorsese-the-...

While not necessarily a stranger to visual effects, Martin Scorsese is not a filmmaker well known for that arena. However, his latest movie, The Irishman, features a lot of computer-generated imagery. Chronicling historical events over many decades, the project required veteran actors including Robert De Niro, Joe Pesci, and Al Pacino, to be de-aged for their portrayals of real-life figures at various stages of their lives.

Wyatt Smith on Editing 'Harriet' biopic

October 20, 2019, 01:48 PM

https://faroutmagazine.co.uk/harriet-bipoic-film-e...

Film biography Harriet had its eagerly awaited world premiere at the Toronto International Film Festival, now Wyatt Smith talks about it.

Canon’s new Color Calibration service also inclu

October 11, 2019, 07:40 PM

https://www.provideocoalition.com/canons-new-color...

Canon's new color calibration service for displays, and the new service also includes calibration of non-Canon and consumer grade displays.

Oscar-Winning Film Editor Of 'A New Hope' Intervie

October 9, 2019, 12:55 PM

https://www.fanthatracks.com/news/film-music-tv/os...

‘Star Wars: A New Hope’s’ Oscar-winning film editor, Paul Hirsch, has been interviewed by Moviehole.net where he touches on his time on Star Wars.

Joker Editor Jeff Groth

October 9, 2019, 12:55 PM

https://www.provideocoalition.com/the-art-of-the-c...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and about their work on some of the biggest films and TV shows of the year.

AD ASTRA: Allen Maris - Overall VFX Supervisor

October 7, 2019, 09:39 PM

https://www.artofvfx.com/ad-astra-allen-maris-over...

Allen Maris began his career in visual effects more than 20 years ago. He has worked on many films such as THE CHRONICLES OF RIDDICK, PROMETHEUS, GODZILLA and A CURE FOR WELLNESS.

You might be surprised how Thing was made for 'The

October 7, 2019, 12:55 PM

https://beforesandafters.com/2019/10/07/you-might-...

Later this week, a new animated version of The Addams Family will be hitting cinemas, care of directors Conrad Vernon and Greg Tiernan, and Cinesite.

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