It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 1, 2015, 04:49 AM
http://chrisfenwick.com/home/2015/6/30/fcpx-and-aa...
Recently a post came up on Twitter with my name mentioned and it was asking if FCPX supported AAF support yet. My guess is that this post won’t get much traffic because the VAST majority of my readers and followers don’t know or care what AAF is.
June 29, 2015, 09:58 AM
http://www.commandeditpodcast.com/blog/become-a-ma...
This episode talks about the ways you can help improve your multitasking skills and prioritizing your tasks. From the macro (organizing larger feature projects into manageable steps) to the micro (prioritizing the minutes of your day), we could all afford to become better masters of multitasking to avoid being buried in work.
June 28, 2015, 07:42 AM
http://www.fdtimes.com/2015/06/27/editing-sight-so...
Saturday, June 13th, 9:00 AM. The Manhattan Edit Workshop auditorium in New York was filled with people of all ages who had come to learn more about film editing. Many were students, laptops in hand. The woman sitting next to me had a flyer about a documentary she was working on; the man sitting on the other side showed us the projects he was doing.
June 25, 2015, 09:49 AM
https://www.aotg.com/assistant-editing-lessons-from-the-trenches/
The content is five assistant editing lessons I learned over the years that can benefit those in documentary post-production. It is a best practices document for post-production workflow. The piece is entitled Assistant Editing: 5 Lessons from the (FRONTLINE) Trenches and it includes a 500 word written article and a 12 page PDF that visually expands the five main lessons. The PDF is a visual representation made up of individual image files that can be separated for inclusion within web text.
#editing#post production#assistant editing#frontline#wgbhJune 24, 2015, 11:44 PM
http://sevencamels.blogspot.nl/2015/06/match-cuts....
A match cut is when you cut from one scene to another, but the place where you want the viewer's eye to focus on is in the same spot in each composition. Before and after the cut, the viewer is focusing on the same part of the frame. It makes it easier for the viewer to track what's going on, and minimizes the amount of effort the viewer needs to expend in searching around for what's important every time you cut.
June 24, 2015, 11:43 PM
http://www.derek-lieu.com/2014/07/08/26-simple-tri...
This is a list of the keyboard shortcuts, features and techniques that I use most frequently in my day to day editing that help me edit faster. I made this
June 23, 2015, 03:34 AM
https://montageforum.wordpress.com/2015/06/23/edit...
Gender-ExpertInnen sind wir zwar nicht, aber wir sind gendersensibel und persönlich betroffen. Jeder Montageprozess macht uns in gewisser Hinsicht zu ExpertInnen des jeweiligen Films, seines Materials und seines Aufbaus. Wir sind Montagefreaks – die Genderkonstruktion läuft scheinbar nebenher.
June 19, 2015, 09:48 AM
http://bigthink.com/ideafeed/understanding-the-log...
Do you like chocolate? Yes. Will you ever give up eating it? No. It's relatively easy to understand the difference between 'yes' and 'no'. However, according to new research, understanding the behaviour and interpretation of the words 'yes' and 'no' is surprisingly much more difficult to pin down.
June 19, 2015, 09:46 AM
http://www.definitionmagazine.com/journal/2015/6/1...
I think most people in our industry would recognise this sentiment, though Mr. Catmull’s book expresses and explains the processes more clearly and more insightfully than any other I’ve read. Most creative processes require some aspect of ‘protecting the new’, and software development is no different. Which brings us to Apple’s Final Cut Pro X.
June 16, 2015, 02:17 PM
http://www.provideocoalition.com/adobe-stock-launc...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.