It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 6, 2019, 07:16 AM
https://www.asoundeffect.com/anthem-sound/
Anthem is an excellent-sounding new release from BioWare, and in this exclusive A Sound Effect interview, SFX Supervisor Michael Kent discusses the aesthetic direction for the game, and how they designed the sounds of the different flying exosuits called Javelins. He also shares their strategy for keeping the mix clear amid chaotic conflicts - and the sound tools and synths they used to design Anthem’s sound...
March 5, 2019, 10:24 AM
https://www.artofvfx.com/the-favourite-ed-bruce-vf...
In 2011, Ed Bruce explained the work of SSVFX on the first season of GAME OF THRONES. He then worked on many movies and TV series such as THE FRANKENSTEIN CHRONICLES, INDEPENDENCE DAY: RESURGENCE, BLACK SAILS and LOST IN SPACE.
March 4, 2019, 09:13 AM
https://www.aotg.com/behind-the-scenes-on-pretty-broken/
DP Michael Ferry shoots with a Blackmagic URSA Mini 4.6K while Colorist Mark Todd Osborne used DaVinci Resolve Studio in post,
#blackmagic design#davinci resolve studio#ursa miniMarch 3, 2019, 08:58 AM
https://www.provideocoalition.com/aotc-aquaman/
Kirk Morri has been an editor of film and TV for more than 20 years. His filmography includes The Hills Have Eyes, Insidious, The Conjuring, Furious 7, and Ant-man. His most recent film is Aquaman.
March 1, 2019, 07:59 AM
https://jonnyelwyn.co.uk/film-and-video-editing/cr...
Get up to speed with using Premiere Pro's new Motion Graphics Templates in your workflow, plus how to create and sell your own. Plus download over 100 templates to get you started!
#editing#premiere pro#free download#motion graphics templates#mogrtMarch 1, 2019, 07:25 AM
https://www.redsharknews.com/technology/item/6182-...
Your Mac will be much faster with an eGPU. How much faster? Read our review of the Blackmagic Design eGPU Pro to find out.
February 26, 2019, 07:25 AM
https://www.audiomediainternational.com/feature/be...
Colby Ramsey discovers how the retelling of Queen’s spectacular musical journey turned the band’s widely celebrated biopic into a feast for the ears...
February 22, 2019, 10:29 AM
https://www.artofvfx.com/velvet-buzzsaw-aidan-fras...
Aidan Fraser began his career in the visual effects in the early 2000s. He worked in many studios like Industrial Light & Magic, Weta Digital, Laika and joined Atomic Fiction (now Method Studios) in 2013. He worked on many movies such as KING KONG, IRON MAN 2, THE WALK and STAR TREK BEYOND.
February 21, 2019, 01:24 PM
https://www.asoundeffect.com/arctic-sound/
Get the story behind the sound for Arctic, covering everything from the sounds of helicopter crashes and polar bear attacks, the use of sound to convey emotion, thoughts on effectively selling ‘silence’, techniques for making a character sound alone, to crafting the final mix + much (much!) more:
February 21, 2019, 11:10 AM
https://variety.com/2019/music/features/ludwig-gor...
Ludwig Göransson is fairly new to the music-for-screens game, but it surprised no one when his score for the billion-dollar “Black Panther” — a deft swirl of blockbuster orchestra, hip-hop and authentic Africana — prompted his first Oscar nomination (and three Grammys on Feb. 10). The Swedish composer spoke to Variety in the midst of scoring the Disney Plus “Star Wars” spinoff series “The Mandalorian.”
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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