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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

6 things we hope to see at Adobe MAX 2018

October 8, 2018, 12:16 PM

https://www.creativebloq.com/news/6-things-we-hope...

Just a week to go until Adobe's annual creative conference – here are our Adobe MAX 2018 predictions.

Weber Looks Back on His Collaborations With Malick

October 5, 2018, 10:04 AM

https://variety.com/2018/artisans/production/crite...

Editor Billy Weber has been one of reclusive filmmaker Terrence Malick’s preferred craftspeople. Their relationship has spanned 1973’s “Badlands,” 1978’s “Days of Heaven,” 1998’s “The Thin Red Line” and 2011’s “The Tree of Life.”

Editors Behind Marvel’s Biggest Shows Discuss In

October 5, 2018, 06:11 AM

https://variety.com/2018/gaming/features/spider-ma...

Spider-Man has been featured on the silver screen six times in the last sixteen years. That doesn’t include the web-crawlers appearance in “Captain America: Civil War,” “Avengers: Infinity War,” or any of his recent animated depictions. It’s safe to say this New Yorker has a deep connection with visual storytelling that has given creators a lot to build off of with each new attempt at telling the hero’s tale.

Navigating Crazy Rich Asian's World as an Editor

October 4, 2018, 09:05 AM

https://www.mpaa.org/2018/10/how-the-crazy-rich-as...

Crazy Rich Asians hinges on dynamics. The complicated web of relationships will either catch true love or tangle the unsuspecting couple. Rachel (Constance Wu) gets off to a rocky start with her boyfriend’s mother (Michelle Yeoh), but there are even more delicate power struggles within the family. In the elite Singapore circles of Crazy Rich Asians, a look, a gesture, or even a flower can be a symbol of judgment. What someone says isn’t always what they mean. To understand the undertones of ...

Master The Workflow - One Year On

October 4, 2018, 03:52 AM

https://jonnyelwyn.co.uk/film-and-video-editing/ma...

I chat with editor and co-founder of Master The Workflow, Lawrence Jordan to find out if this unique assistant editing training course has helped their students land real, paying gigs. Plus a whole lot more!

#assistant editor#assistant editing#scripted workflows#master the workflow
PowerHouse VFX Rises to Top of NYC's VFX Industry

September 30, 2018, 06:32 AM

https://www.nycppnews.com/powerhouse-vfx-rises-to-...

Buoyed by a string of high-profile film and television projects, PowerHouse VFX has quickly solidified its place as an industry leader on New York’s VFX scene. Founded last year by Emmy Award-winning visual effects supervisor Ed Mendez, executive producer Bob Lowery and chief engineer Eric Zeller, the studio is adding significant talent in all departments as it gears up for current and future assignments, notably the M. Night Shyamalan film Glass, where it’s serving as sole visual effects pr...

DaVinci Resolve 15 Tips and Training Round Up

September 29, 2018, 01:26 AM

https://jonnyelwyn.co.uk/film-and-video-editing/da...

A huge round up on the new features in Resolve 15.1.1, tons of free training on colour grading, Fairlight, creating graphics and effects in Fusion and much much more...

#davinci resolve#tutorials#fusion#colour grading
The Preditor VFX

September 28, 2018, 09:00 AM

https://www.artofvfx.com/the-predator-vfx-work-by-...

Be sure to look at the before & after pictures by Method Studios (formerly Atomic Fiction) about their work on THE PREDATOR...

New VFX Voice is out!

September 27, 2018, 12:42 PM

https://vfxblog.com/2018/09/27/new-vfx-voice-is-ou...

In the Fall 2018 issue of VFX Voice, I wrote about VFX problem solving, sharks, Oz and NZ VFX, What Dreams May Come, stuntvis and Jurassic World: Fallen Kingdom. A really great issue!

Sound Radix Auto Align Post Belongs In Your Ingest

September 27, 2018, 06:27 AM

https://www.pro-tools-expert.com/home-page/2018/9/...

Auto Align Post is one of those plug-ins, which addresses a very specific issue and fixes it with the minimum of fuss. If you haven’t yet come across it, it is a tool which, like the original Auto Align, analyses audio captured from more than one microphone and corrects destructive phase cancellation caused by time of arrival differences.

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