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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Shinesparkers: Interview With Metro Prime Audio Le

June 6, 2018, 03:45 AM

http://designingsound.org/2018/06/06/shinesparkers...

The Metroid Fan Community Shinesparkers has recently published an extensive interview featuring Audio Lead Clark Wen and his work on Metroid Prime 1 and 2. You can read the full interview here.

The Solo Speeder Scene

June 6, 2018, 03:44 AM

http://sparkfx.ca/festivals/information.php?NEWS-2...

You know you’re in a Star Wars film when one of the first big action set-pieces is a thrilling chase scene. Such is the beginning of Solo, where Han (Alden Ehrenreich) and his girlfriend Qi’ra (Emilia Clarke) make a getaway aboard a stolen speeder amid the industrial streets of Corellia.

Solo's Practical and CGI Character's

June 6, 2018, 03:44 AM

https://www.thrillist.com/entertainment/nation/sol...

In this age of superhero and space-adventure blockbusters, you might think that most of the aliens and robots appearing in Ron Howard’s Solo were computer-generated. And for good reason; CG characters can be made to do anything, and can accommodate last-minute design changes. But savvy audiences have in recent times lamented the unfettered rise of CG, and yearned for the "old-school" days of practical effects.

“Revolució Russa: 100 anys després”

June 5, 2018, 04:52 PM

https://pospotime.wordpress.com/2017/10/17/946/

One of the first "30 minutes" at TV3 edited using Davinci Resolve.

Behind the Title: Weta’s Head of Tech and Resear

June 5, 2018, 10:31 AM

http://postperspective.com/behind-title-wetas-head...

NAME: Luca Fascione COMPANY: Wellington, New Zealand’s Weta Digital WHAT’S YOUR JOB TITLE? Senior Head of Technology and Research WHAT DOES THAT ENTAIL? In my role, I lead the activities of Weta Digital that provide software technology to the studio and our partners. Continue reading → June 5, 2018 The post Behind the Title: Weta’s Head of Tech and Research Luca Fascione appeared first on Randi Altman's postPerspective.

7 Essential Things to Know About Pairing Color and

June 4, 2018, 12:25 PM

https://www.shutterstock.com/blog/pairing-color-ty...

Feeling in a bit of a color rut and want to give an instant update to your typography? Try out these seven tried-and-tested color and type combinations in your next project.

DEADPOOL 2: Mike Brazelton - VFX Supervisor

June 4, 2018, 09:25 AM

http://www.artofvfx.com/deadpool-2-mike-brazelton-...

Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.

Elastic Transitions for FCPX

June 4, 2018, 04:53 AM

https://fxfactory.com/blog/final-cut-pro/elastic-t...

Ease your footage in and out, applied through the title layer for ultimate flexibility.

Luca Visual FX Releases Mystery and Suspense Sound

June 4, 2018, 04:52 AM

http://www.fcp.co/final-cut-pro/news/2083-luca-vis...

You might be familiar with Luca and Luca Visual Fx plugins. But did you know he also composes music and sound effects? He's just released a Mystery & Suspense sound library and has very kindly published a coupon code for 20% off for FCP.co readers.

Editing the FX Series Atlanta

June 2, 2018, 09:48 AM

https://digitalfilms.wordpress.com/2018/06/01/edit...

Atlanta just wrapped its second season on the FX Network. The brainchild of actor/writer/producer/director Donald Glover, Atlanta is the story of Earn Marks, a Princeton drop-out who returns home to Atlanta, where he decides to manage his cousin’s rap career. The show is very textural and plot is secondary. It loosely follows Earn and the […]

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