It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 10, 2015, 01:45 PM
http://bobbyowsinski.blogspot.com/2015/02/dont-buy...
For music and audio professionals, we live and die by our DAW and that means everything attached to it as well.
February 10, 2015, 01:45 PM
http://www.thecredits.org/2015/02/vfx-supervisor-d...
When Andy and Lana Wachowski release a picture, moviegoers can rely on it to be a visual experience. In large part, that is because of the talent of their visual effects team, which has been supervised since The Matrix Reloaded by Dan Glass. Glass, who has worked with the Wachowskis on two Matrix films, Speed Racer, and Cloud Atlas, is also credited as the visual effects supervisor for Jupiter Ascending, which opened on Friday.
February 10, 2015, 01:45 PM
http://sportsvideo.org/main/blog/2015/02/sound-dev...
Sound Devices has named Brandi Loyd as its Marketing Project Manager. Loyd brings nearly 20 years of marketing and technical-writing experience to Sound Devices, where she will oversee and manage a variety of marketing initiatives.
February 10, 2015, 01:30 PM
http://postperspective.com/review-blackmagic-desig...
This compositing pro gives us an overview of the newest version. By Joël Gibbs Blackmagic made big news with its acquisition of Eyeon last year, and it didn’t take long for them to rebrand the software and make the tool its own. The acquisition happened in mid September, and by December 19, Fusion Studio 7.6 was shipping. Personally, I was pretty excited about the acquisition. Those of us that have been using Fusion for a few years (I’m pretty recent, picking it up about five or six ...
February 10, 2015, 01:30 PM
http://www.studiodaily.com/2015/02/stephane-cerett...
In Marvel Studios’ Guardians of the Galaxy, a quartet of misfits that include, improbably, a CG raccoon named Rocket and a CG tree named Groot, zip from planet to planet as they try to save the galaxy from an evil … more » The post Marvel Studios VFX Supe Stephane Ceretti on Guardians of the Galaxy appeared first on Studio Daily.
February 10, 2015, 01:29 PM
http://provideocoalition.com/ryoung/story/premiere...
Here's another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. There's a bit more about audio lately, though AEP is still playing catchup on Premiere news.
February 10, 2015, 01:29 PM
http://provideocoalition.com/awilt/story/hpa-tech-...
Leon Silverman, Michael Cioni, and Mark Schubin start off the discussion of how post is – yet again – evolving. [Initial post 10:30am PST: I'll be updating this article at several points during the day (after lunch, midafternoon, early evening) as the event...
February 10, 2015, 01:29 PM
http://www.premiumbeat.com/blog/how-to-green-scree...
Discover how pre-computer chroma keying worked in this informative video. The post How to Green Screen (Before Digital Compositing!) appeared first on The Beat: A Blog by PremiumBeat.
February 10, 2015, 01:28 PM
http://aframe.com/blog/2015/02/how-to-sync-clips-w...
Offline viewing: The Aframe Desktop App enables users to automatically download clips from a Collection in Aframe to a folder of your choosing. For this example we will download to the ‘Automatically Add to iTunes’ folder – this is a preset folder that iTunes creates. On your Aframe dashboard you will find links to download the... Read More
February 10, 2015, 01:28 PM
http://provideocoalition.com/mspencer/story/interw...
Can you wrap a light streak around text in Motion? That's the question on this week's MacBreak Studio with Steve Martin from Ripple Training that I attempt to answer, using an example from an earlier episode on creating light streaks. In that episode I...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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