It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 4, 2018, 09:11 AM
http://www.artofvfx.com/the-ritual-creature-making...
Don’t miss this making of by Nvizible about their scary and yet beautiful creature for THE RITUAL...
April 4, 2018, 09:11 AM
https://filmschoolrejects.com/vfx-secrets-paddingt...
Despite rapid advances in the field of special effects technology, crafting a CGI character that feels both naturalistic and engaging is still a challenge — just ask Star Wars’ infamous Jar Jar Binks or Justice League’s utterly forgettable villain Steppenwolf. But the recent Paddington 2, adored by audiences and critics alike for its imaginative whimsy and earnest emphasis on found families, succeeds in the feat of translating its titular character from a digital model into a genuinely bel...
April 4, 2018, 05:16 AM
http://www.studiodaily.com/2018/04/adobe-ai-color-...
On the eve of NAB 2018, Adobe released the latest raft of improvements to its Creative Cloud suite of tools, including new features aimed at helping Premiere Pro editors dial in looks more quickly with its built-in Lumetri color cools. Other new features include welcome tweaks to the Essential Graphics panel that should make it easier for both Premiere Pro editors and After Effects artists to use.
April 3, 2018, 12:35 PM
http://www.avidblogs.com/mark-dillon-pro-tools/
The article Mark Dillon — Inspiring the Next Generation with Pro Tools by Tom Bishop appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
April 3, 2018, 06:37 AM
http://www.artofvfx.com/coco-technical-breakdown-b...
Quick but cool technical breakdown by Pixar about the creation of The Land of the Dead for COCO...
April 2, 2018, 05:40 PM
http://www.avidblogs.com/avid-support-first-annual...
The article Avid to Support the First Annual Music Entrepreneur Conference (MECon) at Harvard University by Jess Bedford appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
April 2, 2018, 05:39 PM
http://www.studiodaily.com/2018/04/frame-io-plans-...
Workflow management platform Frame.io is getting an overhaul this summer, with a new version release engineered primarily for speed. Product demos will be hosted at NAB 2018 in the Western Digital booth #SL6316. Loading time for large projects will be accelerated as much as 100 times in the new version, and media uploads can take […] The post Frame.io Plans Speedy Update for Summer 2018 appeared first on Studio Daily.
April 2, 2018, 11:39 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — UK-born, New York-based editor Kate Owen has joined post boutique Wax, which has offices in Manhattan and Boston. She brings nearly two decades of experience cutting commercials and films projects. Owen’s credits span fashion, beauty, lifestyle and entertainment projects for brands that include Gucci, Victoria Beckham, Vogue, Adidas, Sony, Showtime, and Virgin Atlantic.
April 2, 2018, 11:39 AM
http://www.btlnews.com/featured/2018-cilect-north-...
The 2018 CILECT North America “Sound and Storytelling” Conference was held at the Dodge College of Media Arts at Chapman University on March 22-24, 2018 in Orange, CA. The event was hosted by Michael Kowalski, Associate Dean & Chief Academic Officer. Kowalski has long desired to launch a sound conference of this magnitude […] The post 2018 CILECT North America Sound Conference appeared first on Below the Line.
March 31, 2018, 07:46 AM
http://designingsound.org/2018/03/31/thumbsticks-e...
Thumbsticks has published a wrap-up of Em Halberstadt’s GDC18 talk on the sound design of “Night In The Woods”, about the importance of off-screen sounds to establish a mood and using sound design to create intangible feelings in a player. You can read the full article here.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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