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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

LAPPG TURNS 10: THE HISTORY AND FUTURE OF LOS ANGE

March 31, 2018, 07:46 AM

https://www.productionhub.com/blog/post/lappg-turn...

The Los Angeles Post Production Group is an organization for digital content creators which offers free membership. The LAPPG provides a forum to share knowledge, build community, explore technologies and techniques and encourage production and post production professionals to connect and expand their networks. For more information, visit: www.lappg.com.

MAGIX Photostory Premium VR: Virtual Reality made

March 31, 2018, 07:42 AM

https://www.provideocoalition.com/magix-photostory...

Mix the full functionality of MAGIX’s Photostory Deluxe and numerous additional effects with VR functions and you’ve the base for a new program: Photostory Premium VR.

Meet the All-New Frame.io

March 31, 2018, 07:42 AM

https://www.cinema5d.com/meet-new-frame-io-increas...

Frame.io is an online tool for video collaboration. It helps you gathering feedback from your clients, hassle-free. Read all about it in our previous coverage here. It integrates deeply with your favourite NLE such as Premeiere Pro or Final Cut Pro X. For 2018, Frame.io’s CEO Emery Wells has just announced a major overhaul of the frame.io plattform.

Why Location Typography Matters

March 30, 2018, 06:42 AM

https://filmschoolrejects.com/why-location-typogra...

Font choice can make or break a work of art. Take, for example, the universal memetic infamy of Comic Sans MS, a typeface that seems to lend inherent comedy to any given text, or the fact that Saturday Night Live devoted an entire sketch last year to the premise of Ryan Gosling as a man driven to madness by Avatar’s artless usage of Papyrus. While audiences usually recognize the significance of a film’s typographic choices regarding its marketing campaign or main titles, the decidedly less s...

Pond5 and DJI create marketplace for aerial footag

March 30, 2018, 06:42 AM

https://www.provideocoalition.com/pond5-dji-create...

Exclusive access for FAA certified DJI drone pilots is the rule on the new launched premium collection of licensable aerial footage from Pond5.

Filmmaker Friday featuring Filmmaker Brandon Yavas

March 30, 2018, 06:42 AM

https://www.provideocoalition.com/FilmmakerBrandon...

With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a Filmmaker. Filmtools decided to take a deeper look into the world of a Filmmaker. This week, we had the opportunity to speak to Filmmaker Brandon Yavas about his work.

“Venían a buscarme” por Martín Sappia (EDA)

March 29, 2018, 07:10 PM

https://edaeditores.org/venian-a-buscarme-por-mart...

“Aquellas películas en las que el director está tan implicado afectivamente (…)  hay que intentar congeniar lo emocional, lo racional y el cine.” El jueves 22 de Marzo de 2018, se estrenó en el Cine Gaumont (Espacio INCAA KM 0 Av. Rivadavia  1635)  el documental Venían a buscarme de Álvaro de la Barra.  La película tuvo su premiación En el 10º Festival de Cine Chileno (FECICH […]

EditShare Introduces QScan Automated Quality Contr

March 29, 2018, 01:26 PM

http://www.studiodaily.com/2018/03/editshare-intro...

EditShare will introduce QScan, a new line of automated quality control (AQC) software for file-based audio and video production workflow, at NAB 2018. QScan is built on the same Quales QC engine, acquired last year, that drove its previous AQC products, which were limited to checking four files at one time. The new system can be scaled up across […] The post EditShare Introduces QScan Automated Quality Control Software for File-Based Workflow appeared first on Studio Daily.

Edit Share unveils QScan AQC at NAB 2018

March 29, 2018, 01:26 PM

https://www.provideocoalition.com/edit-share-unvei...

The brand new QScan Automated Quality Control family (AQC) of products, from EditShare, simplifies compliance and delivery requirements with robust quality check capabilities. Meet the system at NAB 2018.

TOMB RAIDER: Nick Crew - VFX Supervisor

March 29, 2018, 09:14 AM

http://www.artofvfx.com/tomb-raider-nick-crew-vfx-...

Nick Crew began his career in visual effects in 2003. He worked on films such as G.I. JOE: RISE OF COBRA and PERCY JACKSON AND THE OLYMPIANS: THE LIGHTNING THIEF. He joined Scanline VFX in 2010 and works on HEREAFTER, BATTLESHIP, FURIOUS 7 and BATMAN V SUPERMAN: DAWN OF JUSTICE.

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