It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 27, 2018, 12:18 PM
http://postperspective.com/frame-io-preview-next-g...
Frame.io will be at NAB this year previewing its re-engineered workflow management tool, which will have a full release early this summer. This next generation of the company’s media review and collaboration software, the new Frame.io was redesigned with speed in mind. The new offering will be up 100x faster with a new media browser that enables users to search through thousands of assets quickly. Continue reading → March 27, 2018 The post Frame.io to preview its next-gen collaboratio...
March 27, 2018, 12:18 PM
https://filmschoolrejects.com/pixar-homage-classic...
While adults have to simply endure most animated kids movies, Pixar movies are crafted so that parents can enjoy them alongside their children. For over two decades, Pixar has pumped out sophisticated animated narratives that often touch on distinctly adult themes like loss, aging, and death. But beyond their relatable themes, Pixar movies also cater to adults by sneaking in clever references—some subtle, some overt—to classic cinema.
March 27, 2018, 12:18 PM
https://magazine.artstation.com/2018/03/creating-v...
Whether it’s creating horrifying creatures or setting a room ablaze with smoke and fire, Visual Effects (VFX) Supervisor Adam Clark relies on Blackmagic Design’s Fusion Studio for his film and television work.
March 27, 2018, 09:33 AM
http://www.artofvfx.com/1922-vfx-breakdown-by-siam...
Australian based studio Siamese presents their invisible work on 1922...
March 27, 2018, 09:33 AM
https://www.3dtotal.com/interview/1243-amazing-tec...
Weta Digital returns to the Maze Runner cinematic franchise where experimentations on immune youth are seen as the means to developing an antidote for a zombie-inducing virus that has desecrated the human population.
March 27, 2018, 09:32 AM
http://cinefex.com/blog/spotlight-andrew-whitehurs...
To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.
March 27, 2018, 04:31 AM
https://www.asoundeffect.com/tomb-raider-sound/
Lara Croft is back in the new Tomb Raider movie, a successful reboot for the long-running franchise. And here, supervising sound editor Dominic Gibbs shares insight on Director Uthaug’s unique vision for this film and how the sound team helped Uthaug achieve his goals through sound...
March 26, 2018, 05:15 PM
http://postperspective.com/behind-title-freelance-...
NAME: Cathleen Conte COMPANY: Freelancer WHAT’S YOUR JOB TITLE? Sound Editor/ Recording Engineer WHAT DOES THAT ENTAIL? I use the sound recorded from production shoots, Foley and I also pull from SFX libraries. I clean up the sounds and place them in sync with the visuals. Continue reading → March 26, 2018 The post Behind the Title: Freelance sound editor Cathleen Conte appeared first on Randi Altman's postPerspective.
March 26, 2018, 11:50 AM
http://www.avidblogs.com/students-honored-by-mpse-...
The article Students Honored by MPSE and CAS for Their Work in Sound Editing and Sound Mixing by Jess Bedford appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
March 26, 2018, 11:50 AM
http://alex4d.com/notes/item/dont-worry-about-the-...
The reason why some editors don't like Final Cut Pro X is because other film makers such as directors can pick it up so quickly. Here is a (Google-translated) quote from an article on finalcutpro.es about the editing of award-winning Spanish feature film ‘Handia’: I think there is a fear on the part of some editors to be dispossessed of their tool. A Moviola, an Avid or even Premiere requires prior knowledge. With FCPX, everything is facilitated, I would say, simplified and the edito...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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