It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 22, 2015, 04:14 PM
http://postperspective.com/audio-team-sony-picture...
By Jennifer Walden For many in the country, this past winter was a rough one. In fact, at times it felt never-ending. While spring now limps toward us just a little too slowly, you might want to imagine yourself in a tropical climate. May we recommend settling in with a refreshing drink and binge watching Netflix’s new drama series Bloodline. Shot on-location in Islamorada, a six-island section of the Florida Keys, Bloodline unravels the story of the locally renowned Rayburn family, whose...
April 22, 2015, 04:12 PM
http://www.creativeplanetnetwork.com/news/shoot/so...
As a production sound mixer and owner of Louisiana Film Sound, Mark LeBlanc’s credits include Beasts of the Southern Wild, G.I. Joe: Retaliation, American Horror Story and the soon-to-be-released Zipper. After 25 years in the industry, LeBlanc understands the importance of capturing pristine audio, and that’s why he relies on the 788T and 702T Portable Recorders and 664 Field Production Mixer from Sound Devices for his recording needs. His kit includes several additional Sound Devices access...
April 22, 2015, 09:33 AM
http://designingsound.org/2015/04/his-screaming-as...
Mike Wilhoit is currently a Supervising Sound Editor fo […]
April 22, 2015, 05:12 AM
http://www.sonicscoop.com/2015/04/22/5-effective-t...
Every mix that ends up great has to begin somewhere. By focusing too much on the end product, it’s easy to forget some of the the simple steps that help us get our mix sessions started as effectively as possible. Here are some ways to get yourself in a good frame of mind, and set yourself up to succeed, before diving in to make all those critical mix decisions.
April 22, 2015, 05:12 AM
http://www.panoramaaudiovisual.com/2015/04/22/avid...
For a long time, Venue has been one of the most mixing systems more reliable direct and desired the world, a tradition that continues with the new Venue S6L presented at NAB 2015 by Avid.
April 21, 2015, 02:12 PM
https://www.hurlbutvisuals.com/blog/2015/04/sound-...
Based on our relationship with MZed, we have negotiated an exclusive special offer of a discount higher than any other for one week only on the Sound Advice tour – use discount code SATHV20 to save $20 off your enrollment on or prior to midnight EST, Wednesday, April 29, 2015. Read on for my discussion of the importance of sound, with an interview with Frank Serafine.
April 21, 2015, 09:44 AM
http://postperspective.com/nab-2015-mpse-panel-pro...
By Mel Lambert “When a soundtrack is loud you can wing it, but for Fifty Shades of Grey everything had to be carefully balanced to match the different environments,” reported sound effects mixer Anna Behlmer who, with Terry Porter overseeing dialog and music, re-recorded the intricate soundtrack for director Sam Taylor-Johnson’s recent film of the best-selling novel by E. L. James. “The film’s carefully crafted Foley, for example, created the sense of isolation on the 50th floor ...
April 21, 2015, 09:42 AM
http://blog.planet5d.com/2015/04/nab-2015-smart-mo...
In a very smart move, the makers of Digital Bolex — “The first cinema camera for filmmakers, by filmmakers” – have gone into partnership with Australian microphone maker RØDE to sell mics and audio accessories through the Digital Bolex online store.
April 21, 2015, 04:55 AM
http://filmmakeriq.com/2015/04/how-to-mix-audio-le...
This video contains the following steps for setting up your speakers for mixing your soundtrack...
April 21, 2015, 04:54 AM
http://logic-pro-expert.com/logic-pro-blog/2015/04...
If you have ever needed to export audio tracks out of Logic Pro X and have used the track export feature, you’ve likely discovered that you can either do one selected track or all tracks. That’s fine until you want to export a subset of tracks.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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