It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 10, 2015, 09:04 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
A retelling of Moses’ defiant uprising against the Egyptian pharaoh Rhamses, and the setting of 600,000 slaves onto a journey of escape to the Holy Land, Exodus: Gods and Kings from director Ridley Scott features the innovative skills of lead mixer Paul Massey, working with a sound crew at Twickenham TW1 Studios post-production complex in southwest London.
January 9, 2015, 12:29 PM
http://filmschoolrejects.com/features/film-music-o...
The start of a new year is the start of new possibilities. As we reflect back on the past year (which we did pretty thoroughly), we also look forward to the year still stretched out in front of us and, in the case of us cinephiles, all the different films that year looks to bring.
January 8, 2015, 06:40 AM
http://bobbyowsinski.blogspot.ca/2015/01/the-speak...
This is perhaps a dream of some guitarists that I know, but there's actually a speaker that's so loud that it can kill you. Really.
January 6, 2015, 10:46 AM
http://www.cultofmac.com/308092/philips-m2l-lightn...
Philips' upcoming M2L Lightning headphones will be the first to utilize Apple's proprietary connection.
January 6, 2015, 05:51 AM
http://designingsound.org/2015/01/interview-sweet-...
I was fortunate enough to convince Chris Sweetman and Sam Justice to do an interview where we chat about productivity, education, staying fresh, and even telling a story with sound.
January 6, 2015, 05:47 AM
http://soundworkscollection.com/news/ces-2015-shur...
Taking you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.
January 5, 2015, 03:08 PM
http://designingsound.org/2015/01/it-never-ends/
We’re going to kick this year off with a slightly different topic. We’re going to take a look at education. There will be some discussion of academic programs certainly, but that’s not necessarily the sum total of this topic.
January 2, 2015, 03:09 PM
http://www.videouniversity.com/turn-down-loud-tv-c...
The FCC regulated the volume of commercials in 2011, but it didn’t really work. Loud TV commercials still rule the tube. Now FCC is trying again. They’ve updated the algorithm which measures volume with the Commercial Advertisement Loudness Mitigation (Calm) Act. Broadcast stations and cable system operators are subject to the rule.
December 30, 2014, 12:02 PM
http://blogs.indiewire.com/thompsononhollywood/fiv...
The scores of LA Film Critics winner Mica Levi ("Under the Skin"), Hans Zimmer ("Interstellar"), Alexandre Desplat ("The Imitation Game"), Jóhann Jóhannsson ("The Theory of Everything"), and Marco Beltrami ("The Homesman") got under our skin in the best possible ways.
December 30, 2014, 06:00 AM
http://www.btlnews.com/awards/contender-sound-edit...
“The core of the philosophy of Birdman is that it’s a moving target,” said supervising sound editor and sound designer, Martín Hernández. In a spectacularly choreographed feat, the film literally follows a washed-up actor (Michael Keaton), famous for playing the titular superhero character, as he attempts to prove his acting chops by mounting a dramatic Broadway play.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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