It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 21, 2014, 10:22 AM
http://www.avidblogs.com/behind-the-scenes-of-sibe...
The article Music: Behind the Scenes of Sibelius 7.5 by Sam Butler appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
December 19, 2014, 05:38 PM
http://postperspective.com/audio-engineer-gets-ser...
By Ron DiCesare Most people in the film, TV and advertising industries are visually oriented. At its core, the film and TV industry, as well as the adverting business to a degree, are based on storytelling. These two factors combined mean that the focus of post is often on the... The post This audio engineer gets serious with his Top 10 tips appeared first on postPerspective - Randi Altman's postPerspective.
December 19, 2014, 05:38 PM
https://www.videoguys.com/Blog/E/Review+iZotope+RX...
The new RX 4 and RX 4 Advanced offer all of the great plug-ins and features from the previous versions with some important additions. It is available for Mac or PC, including 64-bit AAX, which is compatible with Avid Pro Tools 11, RTAS/AudioSuite for Pro Tools 7.4 to 10, VST, VST 3 and Audio Unit. The list price is $349 for the RX 4 and $1,199 for RX 4 Advanced. It is also available as an upgrade for previous RX and RX Advanced users. In this latest version of RX 4, the standard version now offe
December 19, 2014, 03:02 PM
http://collider.com/howard-shore-the-hobbit-rosewa...
Academy Award-winning composer Howard Shore is among today’s most respected composers and conductors. He’s been a frequent collaborator with David Cronenberg for 35 years and has scored nearly all his films since 1979 including 2014’s Maps to the Stars.
December 19, 2014, 06:11 AM
http://videoandfilmmaker.com/wp/index.php/news/sou...
Academy Award nominated sound designer Beau Borders‘ twenty year career reads like a Hollywood blockbuster ‘best of’ list. He has mixed sound on major studio releases such as Titanic, Armageddon, Lord of the Rings: Return of the King, Transformers, Captain America: The First Avenger, Iron Man 3, Lone Survivor and the soon to be released Foxcatcher, starring Channing Tating and a heavily made up Steve Carell – just to name a few.
December 19, 2014, 06:10 AM
http://www.btlnews.com/awards/contenders-sound-edi...
The coming-of-age saga, Boyhood, was shot for several days every year for 12 years. Tom Hammond, the sound supervisor and re-recording mixer, has worked many times with the director, Richard Linklater. Although Hammond was on the film from the start of production through the final mix, and key crew generally returned on an annual basis to do their part, sometimes schedules did not sync and new crew joined the team. This was the case with the production sound mixers on the film. Ethan Andrus ...
December 19, 2014, 06:08 AM
http://www.hollywoodreporter.com/race/oscars-gone-...
"Is it good? I’m not sure, but I know I worked my ass off," Trent Reznor, the Nine Inch Nails frontman/Oscar-winning film composer told me of his latest score — the one that he and Atticus Ross put together for David Fincher's smash-hit Gone Girl — when we sat down for an hour-long conversation a few weeks ago in Beverly Hills.
December 18, 2014, 01:21 PM
http://www.creativeplanetnetwork.com/news/produce/...
Most video editors can get by with the audio editing tools that are built into their NLE systems, but if you want that extra audio finesse, you’ll need some dedicated audio applications and plug-ins. 2014 is closing out nicely with new offerings from Sony Creative Software and iZotope.
December 16, 2014, 06:08 AM
http://logic-pro-expert.com/logic-pro-blog/2014/12...
Turbo is a wave transformer that lets you create unique, complex new sounds out of most basic waveforms such as saw, triangle and square waveforms. Turbo takes the input signal and directly bends its shape using one of its eight sine-based transfer functions, enriching the spectral content with new harmonics.
December 16, 2014, 06:06 AM
http://designingsound.org/2014/12/review-dehumanis...
While it has been out for a while now, I finally got my hands on a review copy of Dehumaniser from Krotos LTD. Dehumaniser has gotten a good bit of buzz in the professional sound design community and rightly so.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.